Word: call
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Dates: during 1950-1959
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...importantly affected by the campaign. (More than half of all New Yorkers are unaffiliated with any faith.) Negro attendance at the Garden is sparse; the lack of Negroes on Graham's headquarters staff (one was hired last week) and the absence of what some Negro leaders call "social content" in Graham's sermons are cited as the chief reasons. Slum districts are likewise unrepresented. Explained one Henry Street pastor: "The crusade format would not touch our people...
Glamour & Continuity. Says the Rev. Dr. John Ellis Large of the Episcopal Church of the Heavenly Rest at Fifth Avenue and goth Street (congregation 1,000): "We're not what they call a 'cooperating church'-working with the Graham organization-but we have received three cards: one from a dear old lady who lasn't been to church in 50 years, one from a total stranger whom we can't reach and who won't call back, and one from a devout 15-year-old girl who faithfully attends Sunday school every week here...
Picture Windows. The trend to mass-appeal and family boating is nowhere more evident than in the design of big cabin cruisers. Of Chris-Craft's line of 68-odd stock models (up to 56 ft.), only 16 boats could be called utilitarian fishing craft-all the rest are designed for snappy good looks and family fun. The yachtsman's wife, not the yachtsman himself, is the customer the boatyards want to please. Says a Chris-Craft executive: "Instead of portholes, we have the marine counterpart of the picture window. Men were satisfied with heads and galleys which...
Nearly Faultless. Invasion goes on to do for Operation Anvil-Dragoon in the South of France what it does for Neptune-Overlord. The fighting for the southern beaches was a combat lark compared to the close call at Omaha. Naval support was close to perfection, and Morison, who saw service on no fewer than eleven vessels, thinks the South of France invasion was the "nearly faultless" large-scale operation of the entire war. One thing the U.S. fighting sailor will readily acknowledge, whatever his theater: no other fighting arm in World War II has found a historian with the flair...
...plots. Everything is directly related to the main current of the drama. Once Iago begins to poison Othello's mind, the play moves slowly, unswervingly and unalterably to the final catastrophe like a runaway steamroller grinding down a hill. But the conflict between Iago and Othello (if we can call it a conflict, for it is a battle in which one of the two combatants does not realize there is a battle at all, except within himself) does not start at once. Iago's scheme has a long incubation period, which we in the audience watch with suspense until...