Word: callaã
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When Carolyn W. Holding ’10 walked into her first audition for a Harvard theater production, director Catherine “Calla?? Videt ’08-’09 knew that she had found her lead. “I felt that little reaction when talent walks in,” she says, “and when I learned that Carolyn was a freshman, I was so happy that she would be here for many years...
Despite her high school involvement in theater, music, and dance, Catherine “Calla?? Videt ’08-’09 entered Harvard with intentions of becoming a physicist. Now with a substantial list of acting and directing credits to her name, not to mention the first student show on the Loeb Mainstage in 15 years, it might seem as though Videt—the 2009 recipient of the Luis Sudler Prize in the Arts—has traded her passion for physics for a new one. But this is hardly the case. While...
...That line gets right at the heart of ‘The Space Between,’ a new play at the Loeb Mainstage, conceived and directed by Catherine “Calla?? Videt ’08. This incredibly ambitious production is the first student-written play to appear on the Mainstage in 15 years. While Videt’s subject might be theoretical physics, what she’s really interested in are moments where the science is inadequate to explain its own implications; equations may have built the bomb, but they can?...
...honor has opened artistic possibilities for the producers, actors, and all others involved. The Harvard-Radcliffe Dramatic Club’s “The Space Between” will use the space to produce an experimental play combining theatrics, dance, and, less likely, physics. Catherine “Calla?? Videt ’09, playwright and director of the play, who could not be reached for comment, wrote the work as the second half of her thesis for her Special Concentration in Theatre and Physics. She started developing the project as a freshman, inspired by the beauty...
...Three Lives of Lucie Cabrol” is a play haunted by regrets, misfortune, and ghosts, both real and imagined. This Mainstage production, directed by Catherine “Calla?? I. Videt ’08 and produced by Matt I. Bohrer ’10, maintains an otherworldly aspect throughout its time upon the stage. Running through April 14, the play is an impressionistic look at the life and death of the title character, a poor and often friendless woman living in the French countryside. The result is a fascinating—but occasionally impenetrable?...