Word: callahans
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...production is marvelous: Edward J. O'Callahan and Vivian Jarvis extract every ounce of mortality from the roles of Mr. and Mrs. Smith, while the performance of Richard Gediman as the Firechief is a real tour de force. Director Edward Thommen amazes us once again with the amount of movement he can make look natural on a small stage, and Ellen Booth's costumes and John Gilland's lighting are always appropriate. If you're interested in experimental theater, try a visit to 24 Palmer Street...
...rest of the line is rather makeshift, however, with the biggest weakness coming at end. Bill Callahan, the new right end, sat out all last year because of injuries and was unable to play in the 26-0 win over Bowdoin last week because of an injured toe. His under-study is sophomore Roger Feingold. At right end, Arlanson has been forced to use a converted quarterback, Dick Fortin...
...Fuller firmly believes that "it is a museum's duty to support local people and to spur local art of quality." As a result, he has played a key role in promoting the Northwest's regional school, which includes such top artists as Tobey, Graves, Kenneth Callahan and Guy Anderson. One Seattle art dealer summed up Patron-Director Fuller's contribution with feeling: "Dr. Fuller has brought art to the Northwest and the art of the Northwest to the world...
Considering their handicaps, the actors of the Poets' Theatre emerge, if not victorious, at least impressive performers. Most of them are very skilled in delivering their lines clearly and without resorting to declamation. Edward O'Callahan, as the engineer, turns in the best performance giving his role considerable power and intensity. John Peters is appropriately pompous as Banderia, the promoter, while Edith Owen plays Marcia, Bandeira's "friend," with an acute feeling for the quiet sadness which the role demands. Gregory Lafayette skillfully keeps the rather intense college student from becoming annoying. The production also gains much from the direction...
Peace of Mind. Finally heading home again, he got a job opening crates at the Seattle Art Museum, rose to become curator. As a museum man, Callahan had 20 years of free summers and the financial backing to pioneer his own painting. Contributing to Callahan's native bent for mysticism were long evenings of talk with Fellow Artists Morris Graves and Guy Anderson, artists "who shared the tremendous stimulation of days on the beaches, in the fogs, and high up in the mountains." Then Callahan's fire-tower experience set him "trying to express that bond which exists...