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Ever since she sang her last public performance in 1965, the opening of each new season has been preceded by a flurry of rumors that Maria Callas this year would finally return to opera. Last week in Turin, Italy, she did just that- but in an unaccustomed role. This time...

Author: /time Magazine | Title: Music: A Debut for Callas | 4/23/1973 | See Source »

Despite his tiffs with Maria Callas (he fired her in 1959, re-engaged her in 1965 for two Toscas), Bing regards her Met debut in 1956 in Norma as "the most exciting of all such in my time at the Metropolitan." Bing also recalls Callas' husband and manager Battista...

Author: /time Magazine | Title: Music: Bing Remembers | 10/23/1972 | See Source »

Ever since Maria Callas' dwindling voice made operatic appearances hazardous, the soprano has looked for things to do. She made a movie of Medea, took up teaching (an opera class at Manhattan's Juilliard School of Music) and hinted at a return to the stage. Now, at 48...

Author: /time Magazine | Title: People, Apr. 3, 1972 | 4/3/1972 | See Source »

With hardly a word Maria Callas conveys the extremes of Medea's superhuman passions--her obsession, turning to jealousy, for Jason; her tender love for her children; and the cold cruelty of revenge and finality with which she kills her two sons. She does not act but rather moves with...

Author: By Erther Dyson, | Title: Medea | 3/20/1972 | See Source »

Medea, Pasolini directs Maria Callas in her first dramatic role. Orson Welles Cinema Two, 4, 7:15, 9:45.

Author: NO WRITER ATTRIBUTED | Title: the screen | 3/16/1972 | See Source »

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