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Word: callases (lookup in dictionary) (lookup stats)
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In Manhattan, news of Maria Callas' return - for two performances only -threw opera lovers into agonies of anticipation. As opening night drew near, scalpers were commanding up to $800 for tickets. Bleary-eyed fans lined up and slept on the sidewalks outside the Met for three days to snap...

Author: /time Magazine | Title: Opera: Return of the Prodigal Daughter | 3/26/1965 | See Source »

Tosca is a jealous lover, and Callas played the part with pantherish intensity, purring innocently one moment, spitting hellfire the next. In the second-act encounter with the lecherous police chief Scarpia, splendidly portrayed by Baritone Tito Gobbi, Callas was at her supercharged best. When the soldiers carried off her...

Author: /time Magazine | Title: Opera: Return of the Prodigal Daughter | 3/26/1965 | See Source »

Controlling an Animal. But Tosca is not a play; the singing's the thing. And even Callas could not make it otherwise. Never an instrument of luscious quality, her soprano last week was a thin and often wobbly echo of the voice that fled the Met in 1958. Her...

Author: /time Magazine | Title: Opera: Return of the Prodigal Daughter | 3/26/1965 | See Source »

Shaken by her 1959 separation from her husband, Industrialist Giovanni Meneghini, Callas admits to having had a real "vocal crisis" a few years ago. Now 41, she explains: "My biggest mistake was trying to intellectualize my voice. I tried to control an animal instinct instead of leaving it as it...

Author: /time Magazine | Title: Opera: Return of the Prodigal Daughter | 3/26/1965 | See Source »

Ominous Cloud. In addition to Lucia, the Met is mounting new productions of Samson et Delila and Salome. In January, Leontyne Price will sing Cosí fan Tutte for the first time, followed by the conducting debut of William Steinberg (TIME, Sept. 11) two months later. In March, after an...

Author: /time Magazine | Title: Opera: Behind the Nervous Curtain | 10/23/1964 | See Source »

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