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But it soon became clear that she did not like the Met's Traviata production; moreover, Renata Tebaldi had been allowed to withdraw from it-so why not Callas? "Those lousy Traviatas he wanted to make me do!" said she. "Why give up a contract of 26 performances just...

Author: /time Magazine | Title: Music: Cast Out | 11/17/1958 | See Source »

"Why Pick on Me?" The main trouble, retorted Callas, was that Bing had signed her to sing two performances of Traviata, on Feb. 13 and 17, between two performances of Macbeth on Feb. 5 and 21. "Macbeth is a very heavy opera. I have to build back to my heavy...

Author: /time Magazine | Title: Music: Cast Out | 11/17/1958 | See Source »

She would gladly have substituted Tosca for Traviata, said Callas (Bing denied it), or sung three straight Macbeths: "But he offered me Lucia as a substitute which is even more ridiculous than Traviata. A few weeks ago it was reported to me that Mario Del Monaco had canceled Aida, and...

Author: /time Magazine | Title: Music: Cast Out | 11/17/1958 | See Source »

Whose Eyeteeth? Was it true, Callas was asked, that she had told Bing she was going to give up singing? "It is true," said Callas, "that I will not sing routine-those old performances of Norma, Lucia. I think it is my duty as an artist. Once you have Callas...

Author: /time Magazine | Title: Music: Cast Out | 11/17/1958 | See Source »

The No. 1 topic in the opera world last week was the Callas fracas (see above), but there was other news, notably a new work by Gian Carlo Menotti and a new edition of two grand old operatic favorites.

Author: /time Magazine | Title: Music: Blind, Burning & Bland | 11/17/1958 | See Source »

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