Search Details

Word: callases (lookup in dictionary) (lookup stats)
Dates: all
Sort By: most recent first (reverse)


Usage:

Blood & Tears. As actress. Callas is more exciting than any singer has a right to be. Her acting takes the form of a flashing eye that petrifies an emotion, a sudden rigidity that shouts of a breaking heart, a homicidal wish or a smoldering passion ("It takes nerve to stand...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

In her first Aida at La Scala in 1950, she startled the crowd by stalking about like a hungry leopard instead of taking the usual stately stance for her Act III duet. In the death scene of Fedora, in which sopranos tend to expire stiffly on a divan, Callas staggers...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

Hissing Snakes. Maria Callas clawed her way to her present eminence with a ruthless ferocity that awes her enemies and has left her few professional friends. Some have helped her on her way. But from the first the lonely, fat girl from Manhattan saw herself pitted single-handed against a...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

Once, her enemies began to heckle as she got to the high notes of her second aria in Traviata. Callas tore off her shawl, stepped to the front of the stage, glared directly at her tormentors. With reckless ferocity, she lit into one of opera's most perilous arias...

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

La Callas asks nothing better. "I hate to be pitied, and I never pitied anyone," she says.

Author: /time Magazine | Title: Music: The Prima Donna | 10/29/1956 | See Source »

Previous | 70 | 71 | 72 | 73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | Next