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Yojimbo. In the movies, where every man is a genius until proven otherwise, only one director of recent years has not been proven otherwise: Japan's Akira Kurosawa. In Rashomon, Seven Samurai and Throne of Blood he displayed formidable powers as a moralist, an ironist, a calligraphist of violence. In Ikiru, one of cinema's rare great works of art. he revealed a rugged realism, an exquisite humanity, a sense for what is sublime in being human. Now. in a movie that is both a wow of a show and a masterpiece of misanthropy, Kurosawa emerges...

Author: /time Magazine | Title: Cinema: A Japanese Apocalypse | 9/21/1962 | See Source »

...China some 900 years ago, there lived a thin-faced little man with a mandarin beard named Su Tungpo. According to Biographer Lin Yutang, Su Tungpo was "an incorrigible optimist, a great humanitarian, a friend of the people, a prose master, an original painter, a great calligraphist, an experimenter in winemaking, an engineer, a hater of puritanism, a yogi, a Buddhist believer, a Confucian statesman, a secretary to the emperor, a confirmed winebibber, a humane judge, a dissenter in politics, a prowler in the moonlight, a poet...

Author: /time Magazine | Title: Books: Unaffected Great Man | 11/3/1947 | See Source »

...mistress of six languages besides her own, a student of Greek, a superb calligraphist, an excellent musician. She was a connoisseur of painting and poetry. She danced, after the Florentine style, with a high magnificence that astonished beholders. Her conversation, full, not only of humor, but of elegance and wit, revealed an unerring social sense, a charming delicacy of personal perception. It was this spiritual versatility which made her one of the supreme diplomatists of history...

Author: /time Magazine | Title: Books: Old Hen, Great Snake | 12/31/1928 | See Source »

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