Word: callower
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...movie for mass distribution, much of the edge would be blunted. The boys in the play-who were pretty clearly derived from the Loeb-Leopold case-were highly cultivated, effeminate esthetes. So was their teacher. Much of the play's deadly excitement dwelt in this juxtaposition of callow brilliance and lavender dandyism with moral idiocy and brutal horror. Much of its intensity came from the shocking change in the teacher, once he learned what was going on. In the movie, the boys and their teacher are shrewdly plausible but much more conventional types. Even so, the basic idea...
...seemed like a good, safe time for a princess to assume royal duties. The Czar's Russia was distant and implausible. The U.S., fighting Spain, was young, uncoordinated and callow. Queen Victoria ruled Britannia, and Britannia ruled the waves. Young ladies learned the simple difference between right & wrong along with embroidery and piano playing. A new century was just around the corner, bright with the promise of Progress...
They were nothing but punks-callow, sullen, foul-mouthed youths. Tuberculous, bespectacled Johnny West was 22; he had a thin, bony body, a big nose, a girl's mouth, and a mind as weak and erratic as a bat's. Stocky, thick-lipped Robert Daniels was 24; there was a look of dull, animal vigor about him and he loved flashy clothes. But he had a psychopathic impulsiveness, an inability to consider consequences...
Pennsylvania's coach, Rusty Callow, calls them the second best crew he has ever seen. Reading from stern to bow: SAM MANTEL, cox; BILL CURWEN, stroke; PAUL KNAPLUND (captain), 7; FRANK STRONG, 6; JUD GALE, 5; DICK EMMET, 4; TED REYNOLDS, 3; DON FELT, 2; MIKE SCULLY...
Darrell Fancourt was a properly grotesque, and villainous Dick Deadeye, but that was to be expected. Most surprising was the performance of Thomas Round as Ralph Rackstraw. In less able hands, this role can become just another callow juvenile, latched onto the plot to take care of the male side of the love interest, and for little other purpose. But Round didn't devote himself to a simple display of his fine voice--he added a mature and well-constructed characterization that made his part more than just that of First Tenor...