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Word: calls (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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TENNESSEE WILLIAMS did not call his memory play The Glass Zoo for good reason. "Menagerie" hints at the intimacy of three creatures with a fragility and warmth that is distinctly not zoo-like. All too human, The Glass Menagerie remembers the post-adolescent longing for freedom and adventure of a young poet caged in a fading, depressionistic tenement, but more, it characterizes the last generation that could daydream innocently. That era's dream machines were the phonograph and the movie projector, but they worked songs and pictures that opened romantic vistas so different from today's defined and redefined motion...

Author: By David Frankel, | Title: The Smash Menagerie | 12/3/1979 | See Source »

...immense presence that Hanes gives his character is oddly wrong, too smug, too fulsomely gesturing, too much exterior acting. It is a terrific role, at once subtle and obvious, but the actor's energetic anger, bitterness and sense of adventure must come from deep within. In the scenes that call for dynamic confrontation with Amanda, Hanes is very good, but at other times he is too pompous, too unselfconscious. Lines like "it don't take too much intelligence to get yourself into a nailed-up coffin" and "how lucky dead people are" lack a profound fear and pain that...

Author: By David Frankel, | Title: The Smash Menagerie | 12/3/1979 | See Source »

...call him Ted. You can call him Ed. You can call him Eddie. You can call him Teddy. But please! Never Mr. President...

Author: /time Magazine | Title: Letters, Dec. 3, 1979 | 12/3/1979 | See Source »

...would hardly call her a docile person," a former Cabot Hall resident said. Another friend commented, "She's sensitive person, a somewhat frequent observer of human nature," adding, "she may need that...

Author: By Brenda A. Russell, | Title: The Iranian Crisis Hits Home in Cambridge | 12/1/1979 | See Source »

Apocalypse Now started me really thinking about these ideas. The sheer overwhelming power of the film's depiction of the horror that we call Vietnam left me emotionally drained. The strongest message reverberating through the movie is the total madness with which the Vietnam War was conducted. In the name of democracy and freedom, which we took upon ourselves to defend anywhere in the world, America found itself mired in the tropical hell of Vietnam--fighting a war with no strategy beyond slaughtering as many Viet Cong as possible, deploying awesomely lethal and destructive technology but without the will...

Author: By Michael Korn, | Title: Vietnam on my Mind | 11/29/1979 | See Source »

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