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...dead woman. As principal conductor at the Stuttgart Radio Symphony and the Monte Carlo Philharmonic, Gelmetti later found success - but not fame. Instead, when the SSO's then artistic administrator began telling international arts managers about Gelmetti's appointment in 2002, "many of them had never heard of him," Calnin recalls. "I think it's because he's gone against the star system that a lot of the big artist managers push. He's not interested in that sort of career at all. He's gone after an artistically satisfying project...

Author: /time Magazine | Title: Sound And Emotion | 2/23/2004 | See Source »

...wants short, crisp notes. And from his fans, who adore this mini-Pavarotti with an almost pantomime performance style. "Some people think that he milks it a bit, but he's got this great warmth as soon as he steps on stage," says former SSO artistic administrator Tim Calnin, who helped bring Gelmetti to Australia for the first time in 1993. "He waves and smiles at the audience like he's greeting friends...

Author: /time Magazine | Title: Sound And Emotion | 2/23/2004 | See Source »

...same piece with the Berlin Symphony Orchestra a year before, the newspaper Der Tagesspiegel went so far as to say, "Gelmetti conducts with his stomach." Whatever the case, his expansive enjoyment of the music is infectious. "For a big guy, he's quite jazzy in a way," notes Calnin. "He's really got that rhythm in his bones...

Author: /time Magazine | Title: Sound And Emotion | 2/23/2004 | See Source »

...absolutely unbalanced." Gelmetti's quest for a Sydney sound begins in earnest this week. For the Verdi Requiem, he's bolstered both the cello and double-bass desks, as the composer originally intended. "He's played with that a bit in Sydney and it's fabulous," reports Calnin, now with De Waart at the Hong Kong Philharmonic. "So you get a more complete string picture in which the top voice is still perfectly clear, enriched by what's underneath. It's a brilliant idea." A blast of basso profundo - that's the only extra weight the maestro wants to carry...

Author: /time Magazine | Title: Sound And Emotion | 2/23/2004 | See Source »

INMAN SQUARE, WHICH IS MADE UP OF SMALLER SUB-SQUARES (SUCH AS David I. Calnin Square and Roger Reddick Square) spreading out from a fire station, is really just a stretch of Cambridge St. where Hampshire St. crosses. Not as busy as many other squares in Cambridge, this spot on the edge of Cambridge near the Somerville city line prides itself on being a `neighborhood square.' In fact, Inman is as far from cosmopolitan Boston as Tewksbury. The only thing that draws one back into the city is the view of the Prudential Center looming in the background. Here...

Author: By Lano Williams, | Title: SQUARE OFF CAMBRIDGE SQUARES COMPETE | 11/5/1998 | See Source »

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