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Word: calpurnia (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...SECRET RIVER, by Marjorie Kinnan Rowlings (55 pp.; Scribner; $2.50). This little Florida fairy tale for children, the only finished work found among Marjorie Kinnan Rawlings' papers after she died 18 months ago, tells about a little girl named Calpurnia. Once upon a bad old time, when nobody could catch any fish, Calpurnia turned hard times into soft times by finding a secret river crammed with succulent catfish. Evidently, Author Rawlings never published the story because she hoped some day to dream it up to novel-size. It is reminiscent of the same cracker-filled scrub forests...

Author: /time Magazine | Title: Books: Mixed Fiction, Jun. 6, 1955 | 6/6/1955 | See Source »

...minor roles, Edmond O'Brien is particularly convincing as Casca, infusing his lines with a natural fluency, while Deborah Kerr (Portia) and Greer Garson (Calpurnia) make the most of what are essentially bit parts...

Author: By R. E. Oldenburg, | Title: Julius Caesar | 1/7/1954 | See Source »

...Brien, in a departure from his usual cops & robbers roles, as Casca, the conspiracy's hatchet man. In the vital role of Brutus, James Mason gives an intense, brooding performance that effectively combines the poetic and the prosaic. Greer Garson and Deborah Kerr, as Caesar's wife Calpurnia and Brutus's wife Portia, are decoratively patrician, but have little to do in roles that are virtually bits...

Author: /time Magazine | Title: Cinema: New Picture, Jun. 1, 1953 | 6/1/1953 | See Source »

...topnotch cast, most of whom worked for less than their regular salaries to be identified with such a big "prestige" picture: Marlon Brando (Mark Antony), Louis Calhern (Caesar), James Mason (Brutus), John Gielgud (Cassius), Deborah Kerr (Portia), Greer Garson (Calpurnia). The screenplay, reportedly all Shakespeare, contains no "additional dialogue." Says Producer Houseman: "We kept it in black-and-white because there are certain parallels between this play and modern times. People associate dictators with black-and-white newsreel shots of them haranguing the crowds . . . Mussolini on the balcony, that sort of thing. With color, you lose that reality...

Author: /time Magazine | Title: Cinema: Et Tu, Brando? | 10/27/1952 | See Source »

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