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...Italo Calvino...

Author: By Benjamin L. Mckean, CONTRIBUTING WRITER | Title: It's a 'Spider' Boy's Life | 10/16/1998 | See Source »

...best proof of the inherent eccentricity of existence--this week's best proof, anyway--is that Italo Calvino, revered author of If on a winter's night a traveler and other classics of post-modern literature, began by writing neo-realistic stories of the Italian Resistance. In the recently retranslated and re-released The Path to the Spiders' Nests, Calvino tells the story of Pin, a street urchin. Pin, mischievous and impish and all those other cute things we expect of urchins, lives a difficult life. (This too we expect, although Pin's life has cruder aspects than most...

Author: By Benjamin L. Mckean, CONTRIBUTING WRITER | Title: It's a 'Spider' Boy's Life | 10/16/1998 | See Source »

...makes his art according to their ideas of rhizomes and machines. His constructions are rhizomatic: they are perpetually in the middle, ready to be reworked, almost self-consciously transient. CDs may be scratched and rebuilt ad infinitum. Popp's work is suspiciously reminiscent of the sculptor in Italo Calvino's If On A Winter's Night, A Traveler who builds sculptures out of books, then builds new sculptures out of the books written about his sculpture...

Author: By Dan Visel, | Title: SOUND ADVICE | 4/17/1998 | See Source »

PAUL AUSTER, 47, HAS won a cult following in the U.S. and occasional best- seller status in Europe by playing new tricks with established literary forms. He mixes some of the experimental whimsy of a Borges or a Calvino with the narrative drive that made old-fashioned stories so appealing in the first place. When he riffs on detective fiction, for example, as he does in the novels that constitute his New York Trilogy -- City of Glass (1985), Ghosts and The Locked Room (both 1986) -- he sees to it that readers craving mystery, as well as or instead of Postmodernist...

Author: /time Magazine | Title: BOOKS: Anti-Gravity | 9/5/1994 | See Source »

...again, Schami's narrative tactic seems more like salesmanship. He uses this structure not for any purpose so much as to revel in it for its sake. Modern authors like Calvino use a similar framework to lay bare all the peculiar social and intellectual conventions of reading , to strike at the very heart of our understanding of narrative, to unravel the fabric of reality-to bring the universe of perception to its knees. Schami uses it because it's cool and exotic...

Author: By Edward P. Mcbride, | Title: Nights in Damascus Are Filled With Tales | 3/10/1994 | See Source »

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