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...News is continuing to cover the convention, but some irritation is beginning to show at the other networks as well. NBC anchor Tom Brokaw called the events "the network news version of a Kabuki dance," while one of the CBS lead anchors appeared at night in a helmet cam. The real action is in the conversations with delegates and politicians outside the convention hall. Those conversations are still happening, but not much is being said. "This is most closely controlled, intensely choreographed media event I have ever seen," says TIME's Janice Castro. "It's as tense as a family...

Author: /time Magazine | Title: Taking His Camera and Going Home | 8/16/1996 | See Source »

...News is continuing to cover the convention, but some irritation is beginning to show at the other networks as well. NBC anchor Tom Brokaw called the events "the network news version of a Kabuki dance," while one of the CBS lead anchors appeared at night in a helmet cam. The real action is in the conversations with delegates and politicians outside the convention hall. Those conversations are still happening, but not much is being said. "This is most closely controlled, intensely choreographed media event I have ever seen," says TIME's Janice Castro. "It's as tense as a family...

Author: /time Magazine | Title: Taking His Camera and Going Home | 8/15/1996 | See Source »

...News is continuing to cover the convention, but some irritation is beginning to show at the other networks as well. NBC anchor Tom Brokaw called the events "the network news version of a Kabuki dance," while one of the CBS lead anchors appeared at night in a helmet cam. The real action is in the conversations with delegates and politicians outside the convention hall. Those conversations are still happening, but not much is being said. "This is most closely controlled, intensely choreographed media event I have ever seen," says TIME's Janice Castro. "It's as tense as a family...

Author: /time Magazine | Title: Taking His Camera and Going Home | 8/14/1996 | See Source »

...play a contemporary edge without sacrificing any of its subtlety. The primitive set places the dialogue and acting center stage. But like Chekhov's antihero, the Cornerstone takes it all too far. At one point, the director, Bill Rauch, injects a gratuitous mime sequence, in which Konstantin (or Cam, as he is now called) jumps into an imaginary lake and wades laboriously away to the tune of pre-recorded gurgles. Similarly, although the adaptation's reduction of the cast from 10 to five works fine for the first three acts, in the final climactic scene four of the characters keep...

Author: NO WRITER ATTRIBUTED | Title: CHEKHOV GOES HOLLYWOOD IN TOO~HIP 'CALIFORNIA SEAGULL' | 5/2/1996 | See Source »

...issue re-emerged on the Harvard campus in 1993 when William D. Cole, then an instructor in Romance languages, wrote an article in the January 1993 issue of The Chronicle of Higher Education claiming that grades on Ivy League cam- puses were on the rise...

Author: By Matthew W. Granade, | Title: College Considers Grade Inflation | 12/18/1995 | See Source »

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