Word: came
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Dates: during 2000-2009
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Idols of the Twilight In retrospect, it's surprising how long it took the sound of hundreds of thousands of teenage girls hysterically keening to reach Hollywood. The first glimpse that director Catherine Hardwicke had of Twilight came at Sundance in 2007, where the founders of the newly independent Summit Entertainment showed her a script. It had been worked over so thoroughly at Paramount that it was practically unrecognizable. "It had Bella as a track star," Hardwicke remembers. "Then there were FBI agents - the vampires would migrate south into Mexico every year, and FBI agents in Utah were tracking them...
...Moon Rising But when it came time to film the sequel, Hardwicke balked. Summit was pushing hard to get the new movie done fast, to keep up the momentum, and she was burned out. Enter Chris Weitz, who was not, by his own admission, the obvious choice. "There was a reasonable amount of skepticism when I took over the second movie," he says. "I understand that. I directed American Pie. I would be worried too." But after a 2½-hour phone conversation with Meyer - a fan of Weitz's About a Boy - she gave him her blessing...
Emphasis on dreamlike. McGoohan's Six knew that he was a captive; he knew where he came from, and he and the Villagers remembered details of the outside world. Caviezel's Six simply materializes. His past comes to him, and us, in a series of disorienting flashbacks (or are they?) of life in Manhattan that act as a parallel plot. He faintly recognizes people he meets from elsewhere, but they don't recall it; they don't know what New York is or recognize names like Darwin and Plato. The official belief is that there is no outside world: "There...
...turning point came in 1923, when Gropius dismissed Itten and replaced him with the resolutely modern Hungarian Constructivist László Moholy-Nagy. In the same year, the school mounted an exhibition with the no-nonsense title "Art and Technology--A New Unity." The painter Oskar Schlemmer announced the back-on-track Bauhaus ethic in a polemic that was only partly tongue in cheek: "Death to the past, to moonlight, and to the soul...
...came much more of the work we think of as quintessentially Bauhaus: spare, sharp-lined products like Marianne Brandt's geometric tea-and-coffee sets and Josef Albers' austere little stacking tables. Marcel Breuer devised his soon-to-be-famous tubular steel chairs with their bands of stretched black canvas, a skeletal combination of lines and taut planes that looked like an X-ray of a chair. Even then, while factory production may have been the aspiration for many pieces, old-fashioned handcraft may still have been the method behind them. The interlocking grids of Albers' glasswork Goldrosa give...