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...into refining and marketing facilities in the U.S., which has always prided itself on exporting capital, technology and management. His idea provoked a dour response from Washington, but it was at least followed by a rash of American humor. Cartoons showed robed Arabs manning Stateside gas pumps and a camel replacing the tiger in the tank...

Author: /time Magazine | Title: Time Essay: The U.S. Should Soak Up That Shower of Gold | 12/16/1974 | See Source »

...PAINTER assembled his easel in the resonant cranny of a shop's front door at Harvard Square, the wet thud of soused camel's hair as his paintbrush hit the canvas propped on its tripod probably wouldn't pull a crowd. Unlike musicians or actors, someone who makes strictly visual art tends to go at it alone. It is hard to concoct a performance with audience appeal while etching acid into copper plate, sculpting clay--or daubing paint on canvas. But in the long run, interaction with an audience is just as important to the visual artist...

Author: By Anemona Hartocollis, | Title: A Visual Motley | 12/16/1974 | See Source »

...When I lose two to three sugar bowls a week, I think it's disgusting," Stephanian said. "And the Harvard-Yale weekend was the straw that broke the camel's back. People were just walking off with everything, cutting corners at every angle, and fighting like I don't know what...

Author: By Diane Sherlock, | Title: Local Restaurants Restrict Sugar Use | 12/4/1974 | See Source »

Petro-chemicals, Mayer noted, are needed both to power irrigation, as well as use as fertilizers. The Association of Oil Producers increased oil prices was "the straw that broke the camel's back," Mayer said...

Author: By Philip Drysdale, | Title: Mayer Addresses Med School Panel On World Famine | 11/13/1974 | See Source »

Teeth in the T-Zone. The Women paintings are bathed in influences - 1930s Picassos and 1950s cigarette ads (that smile was originally a Camel "T-zone" clipped from a back cover of TIME), Cycladic sculpture and Mesopotamian idols, the "archaic smile" distorted into a toothy leer. They are also drenched in evocative rhetoric about monstrous, insatiable female deities. The Women have been compared, severally and together, to the destroying Kali, to Robert Graves' White Goddess, to Alban Berg's Lulu, to Lilith and Marlene and Marilyn and Mona Lisa. Now obviously these drawings do have their demonic aspect...

Author: /time Magazine | Title: Art: The Painter as Draftsman | 6/17/1974 | See Source »

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