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THOUGH THE LEGENDARY Merlin never makes an appearance, there's plenty of theatrical wizardry in Dunster House's Camelot. Director Erich Neher has transformed the lavish 1960 Broadway spectacle into a rather brilliant small-scale production. The lords and ladies of the cast are lively and skillful in all aspects of the show--songs, silly puns, and earnest speeches alike. Their performances, with the help of Neher's wit, create a charming night at the castle...

Author: By Abtgail M. Mcganney, | Title: The Gang's All Here | 12/13/1985 | See Source »

...Camelot, costalot, cutalot" was how its first Broadway director described his own production. Neher and crew chose to avoid extravagance in favor of a minimalist approach: a single bare set--a platform with a "throne" on one end and a ladder on the other--instead of 16 different sets, a cast pared-down from 28 to just eight, one pianist instead of an orchestra, and less than extravagant costumes. These measures give focus to Camelot's story, nicely highlighting its comic verve and the lusty love triangle between King Arthur, his Queen, Guinevere (usually referred to as Jenny...

Author: By Abtgail M. Mcganney, | Title: The Gang's All Here | 12/13/1985 | See Source »

...never self-pitying king and the two lovers generate a high reading on the steamometer. The rest of the east is consistently supportive, but generally better at clownishness than solemnity. Mordren (Jon Tolins), Arthur's wicked illegitimate son, is especially adept at delivering bitingly sarcastic lines like "Ah, Camelot--where the King gives freedom and the Queen takes liberties...

Author: By Abtgail M. Mcganney, | Title: The Gang's All Here | 12/13/1985 | See Source »

...Camelot: Dunster House JCR, Harvard...

Author: NO WRITER ATTRIBUTED | Title: December 12-18 | 12/12/1985 | See Source »

...Camelot: Dunster House JCR, Harvard, Friday and Saturday...

Author: NO WRITER ATTRIBUTED | Title: December 12-18 | 12/12/1985 | See Source »

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