Word: cameos
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Dates: during 1980-1989
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...weird metaphors than a story. For instance, she walks into her office at SCLC to find Dr. Martin Luther King sitting at her desk. But even with the opportunity to enlarge our concept of this human monument, Angelou fails to present Dr. King in more than a bizarre cameo: "Looking at him, in my office, alone, was like seeing a lion sitting down at my dining room table eating a plate of mustard greens." Somehow the lion strength of the man related to his down-to-earth appearance in such a description does not expand our portrait of Dr. King...
Greeley tracks the men to the 1978 papal elections, a maneuver that allows him to ransack his own nonfiction book, The Making of the Popes, 1978, and to use Pope John Paul II in a cameo role, praying for Cardinal Donahue's dying mistress. Along the way there are other, even less beguiling vignettes: in one scene Greeley portrays "a disciple of the Berrigans'," proclaiming that "we will make bombs, find guns; we will burn, trash and destroy." That is not what the Berrigans have ever preached, as Greeley well knows. But it is a symptom...
...sort there is still a wonderful collection of clowns. Pompey (Peter Ginna) is a gangly, very funny fellow, particularly when paired with the troglydite hangman David Van Taylor. Sam Samuels utter perfect obnoxiousness turns the foppish Lucio into a narcissistic climber. And Bill Rauch has a short but memorable cameo as the incompetent officer Elbow...
Turnaround proves that it is a lot cheaper to write a Hollywood novel than to make a Hollywood film. For one thing, Author Don Carpenter, 50, gets Paul Newman to make two cameo appearances without paying him a dime. The other, fictitious actors also come free. Jerry Rexford is an aspiring young screenwriter who supports himself by doing editing jobs at a trade journal called Pet Care Hotline. One of his scripts catches the attention of Rick Heidelberg, a Wunderkind director-producer desperately looking for a property that will match his first, and only, success. Heidelberg must deal with...
...Their new film drops latent or blatant references to a dozen low-budget horror movies; characters are named after some of the more mediocre talents ever to win a Directors Guild card (Lew Landers, Roy William Neill, Erle C. Kenton); Roger Corman, godfather to many young directors, makes a cameo appearance, as do Forrest Ackerman, editor of Famous Monsters of Filmland magazine, and Sayles himself. Trouble is The Howling is too insistent on parading its enshocklopedic knowledge to raise Hackle One on any moviegoer's neck. Rob Bottin's special makeup effects may deserve extended study...