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Wyman Pendleton contributes a deft cameo as a lawyer who revels in hair-splitting; similarly with the paunchy Cockney sergeant of John Tillinger. Joseph Maher gets considerable mileage out of Major Swindon, who-echoing the Queen of Hearts' exclamation in Alice in Wonderland: "Sentence first-verdict afterwards"-proclaims, "We have arranged [the hanging] for 12 o'clock. Nothing remains to be done except to try him." At one point Shaw has him say, "You insolent-," breaking off after the adjective. Here Maher provides the noun "bastard"-which Shaw likely had in mind but could not have got by the stage...

Author: By Caldwell Titcomb, | Title: AMERICAN SHAKESPEARE FESTIVAL: III 'Devil's Disciple' Is Bright and Brassy Show | 7/10/1970 | See Source »

...over-directed in a cinema gullibilite style. Director Stuart Hagmann has taken a heavy hand in his zooms, tracking shots, cuts, and dissolves in a desperate attempt to obscure the transparency of Israel Horovitz's script. Horovitz himself is a very concerned, intelligent man, and even makes a cameo appearance in this movie, but his screenplay has little of the punch of his plays like Rats, or The Indian Wants the Bronx. One thing to be said in his favor is that he is not entranced with adolescent lingo. The director on the other hand has taken the movie...

Author: By Laurence Bergreen, | Title: Coming to the Cinema II The Strawberry Statement | 7/10/1970 | See Source »

...says, "torture. The producer or playwright would think: Who is this cocky girl mucking up our masterpiece that we've been working on for years?" But 18 months, two companies, and more than 100 roles later, she finally arrived on the West End, playing a show-stopping cameo in Expresso Bongo with Paul Scofield...

Author: /time Magazine | Title: Television: The Hampshire Saga | 6/22/1970 | See Source »

...world of supertown is so oversize and so shrill that no one notices any of it. Mass anesthesia is the result. His remedy: to shrink life to the miniature so that the reader is obliged to bend and squint to see the madness, perfectly proportioned to a bizarre cameo...

Author: /time Magazine | Title: Books: Messages by Mirror | 5/25/1970 | See Source »

...Hollywood studios offered me a lot of money for Boys, " Crowley said, but he took a smaller offer from Cinema Center, so that he could retain artistic control and the original off-Broadway cast, all unknowns. "One studio," he explained, "wanted to use old stars in 'these great little cameo parts' to rev up their careers. Paramount kept talking about a title song-they wanted to sell the picture with a hit record...

Author: By Frank Rich, | Title: Mart Crowley and 'The Boys' | 3/25/1970 | See Source »

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