Word: cameraã
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...pressed to deduce any of this from watching the TV spot.The ad opens with a post-apocalyptic scene of wreckage, as a lone armor-clad space marine type runs through desolate streets, pumping rounds into foreboding alien-infested shadows. So far, so good. But as the “camera??—all footage was captured in-game, as Microsoft gleefully points out—pans down on the first shot, the plaintive piano melody of Gary Jules’ “Mad World” wafts into the scene. Originally performed by synth-rock legends...
...Spike Jonze; it’s Jim Jones. Although he has nothing new to display, he plays show and tell. We get to see his cars and his jet plane; his women and his pool; also several of his dollar bills, which are generously offered up for the camera??s perusal. It’s clear Jones prefers basketball to football. “Ballin!” goes the hook, and Jones does exhibit a nice stroke. He remixed the song for the Giants, but it’s the Denver Nuggets that his team?...
...chorus. As the album continues, however, the limited vocal range and thin instrumental palette leaves Editors sounding repetitive. Without the energy of “Munich,” dark and depressing songs like “Fall” become dangerously boring. The likewise ponderous “Camera?? lacks any verve or compelling guitar hooks, and, instead, meanders for over five minutes. And the derivative “Bullets” monotonously covers the same aesthetic territory as previous songs, but, without a shred of creativity or punch, simply repeats the chorus...
...serves up a remarkably unimaginative and disjointed clone of last year’s midlife-crisis buddy hit, “Sideways.” Logue opens his debut with a white Chevy, blurred by heat, slowly making its way across the southern California desert towards the camera??emblematic of “Tennis”’s 100-minute crawl across the screen. Inside the Chevy are Donal Logue’s Danny Macklin and co-writer Kirk Fox’s Gary Morgan, the unlikable central players of “Tennis...
...process was formulating a complex back-story for his character. “You get to kind of create a human,” he says.FREEZE FRAMEFor Ramis, his sheer love of directing kept him motivated. Though he’s spent some time in front of the camera??most notably in “Ghostbusters,” which he also co-wrote—he says “direction is the best.” Nevertheless, he does lament “the thrill of being in front of camera. In some delicious moments...