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...narrative technique for thematic purposes in place of its common use as a flashy glitch in convention. The film’s assertion that “time destroys everything” is utilized visually in Noe’s dazzling transitional phrases. He finds a relationship between the camera??s motion and the darkened landscape the film inhabits to establish an almost ethereal sense of discontinuity in the film’s temporal projection of its characters. The intense violence of the first half of the film is thus more movingly juxtaposed, as Noe shows...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: Film Preview | 3/14/2003 | See Source »

...love to debate you in person, but your camera??s almost as good,” Reich said to Romney through his aide’s video...

Author: By Alexander J. Blenkinsopp, CRIMSON STAFF WRITER | Title: Candidate Reich Speaks at Harvard | 7/12/2002 | See Source »

Several prints on display focused on children, and these ring with the greatest honesty perhaps because the subjects seem completely unaware of the camera??s gaze. In one striking scene, several grade schoolers labor to push a hamper up a dirtied urban avenue. Despite the squalor of the surroundings, their impish smiles and doubled-over laughter show that the activity is more of a game than a chore. In a careful composition, the children’s clothes pick up colors in the graffiti and painted residences in the background, suggesting a unity with their surroundings...

Author: By James Crawford, CRIMSON STAFF WRITER | Title: New Eyes on a Familiar City | 3/22/2002 | See Source »

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