Word: camera
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Dates: during 1930-1939
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Influenced by the need of a simpler and less expensive method of taking posture pictures, Norman W. Fradd, Director of the Hemenway Gymnasium, and M. C. Reed of the Eastman Kodak Company, in 1925, perfected a means by which satisfactory silhouettes were produced. A camera man was obtained from the Eastman Kodak Stores, Inc., and the resulting machine was the silhouetteograph...
...Keith Memorial Theatre is one of the more successful "talkie" musical comedies. In consideration of the large number of stage conventions that such a production must cope with, the present play at Keith's has made a successful transition. There are times when the scope of the camera is sacrificed for stage effects, ostensibly to add the atmosphere of an actual review, and in these instances the picture gains nothing but incongruity. Fortunately these lapses are infrequent and the action moves along smoothly enough...
...main point that "Hit the Deck" brings out is the possibilities that the musical comedy has in the talking pictures. The absence of shifting scenes and the great range of situations gives an advantage, that the legitimate stage cannot hope to rival. Moreover, a judicious use of the camera makes it easily possible to look at the various scenes from a great variety of interesting angles without the discomfort of having to crane one's neck beyond the sides of the corpulent lady that always sits in the next...
...Chicago, 18,000 people paid $59,625 to see gargantuan Primo Camera fight a French-Canadian slugnut named Elzear Rioux. Because Rioux, 63¼ Ibs. the lighter, only lasted 47 seconds, taking six knockdowns in that time and never landing a punch, the Illinois State Athletic Commission withheld the purse. The Commission felt that Rioux had been too consistently horizontal for the fight to be honest. Carnera's friends insisted he was being penalized merely because, in a profession full of chicanery, the prowess of an honest monster taxed credulity...
...photography itself is like an intelligence greater than the sum of the minds that worked to make it. Whatever is seen through the camera has the novelty, strength and directness that the same images might have as they flowed in the thought-stream, rapid and silent, of some vigorous, original mind. Best shot: the War in Filimonov's tortured memory symbolized as a vision of himself as a Russian soldier, meeting and recognizing himself at an intersection of searchlights as a German soldier; then his own image again, as captain of a battery, receiving and executing the order that blows...