Search Details

Word: camera (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

...spot news pictures to the New York Journal-American. One day last week, he was standing outside a Manhattan parochial school on his sales route, talking to a priest, when a youngster ran up and gasped: "Father, a little boy's been hit by a truck." Grabbing his camera from his car, Robbins ran after the priest...

Author: /time Magazine | Title: The Press: In the Midst of Life | 5/30/1949 | See Source »

...priest, a nurse and a passer-by knelt to comfort Michael in the few minutes left of his life, Robbins shot five pictures. Generously, he offered two of them to his old friend Bob Wendlinger, 27, a free-lance photographer for the New York Daily Mirror whose own camera had suddenly jammed...

Author: /time Magazine | Title: The Press: In the Midst of Life | 5/30/1949 | See Source »

Some time during the next few weeks four sleek, glossy-blue Navy fighter planes are going to try to shoot down a high-flying Air Force B-36. The fighters will use camera guns, because the B-36 is a highly expensive airplane; both services have stuck a security blackout on other details of the operation. The experiment will either aggravate or end one of the bitterest inter-service rivalries of the last generation...

Author: By Paul W. Mandel, | Title: THE B-36 AND THE BANSHEE | 5/26/1949 | See Source »

Much of the film is a hair-raising chase by night which ends up in a fire-gutted tenement. As the camera stalks hunter & hunted about the shadowy ruins, the suspense is drawn out to a fine edge. An intelligent sound track, all ears, brings it to a razor sharpness. When Bobby is finally cornered on a giant rafter, overhanging the gaping cellar, the rotted wood starts giving way. What follows is a breathless, well-executed collaboration between lens and microphone...

Author: /time Magazine | Title: The New Pictures, May 23, 1949 | 5/23/1949 | See Source »

Lady pictures the how of a gambler's obsession with a good deal of plausibility. Especially skillful are Barbara Stanwyck's hard-breathing, glitter-eyed performance at the gaming tables, and Russell Metty's feverish camera work in & out of the neon-lighted dens of Las Vegas. The story gets added strength from Stephen McNally's interpretation of a gambler who, for once, appears to be an intelligent character...

Author: /time Magazine | Title: The New Pictures, May 23, 1949 | 5/23/1949 | See Source »

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