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Word: camera (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...gets other frequent lessons from Ford's production boss, white-crested Charles E. Sorensen. Henry II puts in a ten-to twelve-hour day, finds little time for golf (he shoots in the nineties) or to take pictures with his six-year-old second-hand camera. Otherwise he has no hobbies, explains : "There is nothing that I ache to do, for I learned long ago you are too easily disappointed by some change in plans...

Author: /time Magazine | Title: AUTOS: Ford on the Road Back | 10/11/1943 | See Source »

...film its crisp, uncommon energy. Most notable is O'Reilly's success in depicting two essential opposites simultaneously: 1) the obstinate, difficult bucking of tremendous obstacles (mud, wilderness, green crews who had to be trained on the spot); 2) continuous, violent, swift movement northwards (with the camera leaping from planes to trucks to trains to boats to bulldozers). It is this ceaseless, driving movement-which was the essence of the project-that imparts a quality of great valor to the workers, their machines, their lonely towns and camps, the prodigious country they work...

Author: /time Magazine | Title: Cinema, Also Showing Sep. 27, 1943 | 9/27/1943 | See Source »

...rather frank realism which goes on just behind the eyes and the lines of this eager young couple is abetted by some excellent rawboned Western street scenes and by some unusually vivid uses of sound (coyotes, snores, a neighing horse) and camera (scrambled focus for excitement and intoxication) to startle and amuse. John Wayne manages, more toughly if less charmingly than Gary Cooper in his early days, to create a sort of Rocky Mountain Jean Gabin. Jean Arthur, who has the brunt of the comedy to handle, is one of the most attractive handlers in the business, but undermines some...

Author: /time Magazine | Title: The New Pictures, Sep. 20, 1943 | 9/20/1943 | See Source »

...toward the end, sound predominates. At a Myra Hess daytime performance of Mozart's Concerto in G Major, in London's war-stripped National Gallery, quietly the Queen appears, among the bemused faces of her subjects. As the magnificently formal music falls from the air, the camera disengages itself from the concert room, steers soberly, at second-floor height, through disformed, tragic London...

Author: /time Magazine | Title: Cinema: Documentaries Grow Up | 9/13/1943 | See Source »

...with such useful things as: spectacle lenses that will cut out bright-light reflections for their wearer and be almost invisible to others; glareless car windshields; more visible dashboards and instrument panels; store windows, showcases, picture frames, watch crystals and clockfaces so clear that the glass is invisible;-faster camera lenses, producing sharper pictures; clearer movies and television...

Author: /time Magazine | Title: Science: Invisible Glass | 9/6/1943 | See Source »

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