Word: camera
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Dates: during 1950-1959
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...that had not been seen before. Convinced, the AEC provided clearances for Photographer Jerry Cooke, even volunteered guidance to the U.S.'s most important centers of atomic research and development. The result, despite problems of security ("Don't look at anything on that table, point your camera straight down this aisle") and radiation hazards ("You can stay in this room only 50 seconds"), are first pictures of some of the nation's newest and most significant nuclear developments. See the eight pages of color pictures with the cover story in BUSINESS, The Powerhouse...
...something of a Manhattan institution at Christmas time, and CBS chose it for its only live color broadcast of 1958. Once past the opening scene's heavy-footed family frolic, the production made a softly bright delight of the land of the Sugar Plum Fairy. Avoiding the tricky camera shifts and closeups that most directors try when televising ballet, Director Ralph Nelson kept the episodes sharp, the camera steady. Result: an overall sense of gaiety and space. High point: Allegra Kent, crisp and crystalline as Dew Drop...
Miller's ideas were caught. The camera, moreover, has let some fresh air and country scenery into a drama that often seemed stuffy and stage-bound, and the actors-principally Yves Montand as the hero and Mylene Demongeot as the leading witch-seem to play with more freedom and expressiveness than the original cast did. But Sartre, like Miller, has failed to extricate the essential lesson, the inmost horror of the episode...
Inspector Maigret (French). Jean Gabin keeps on his toes as Georges Simenon's flawless flatfoot, and Director Jean Delannoy's camera is a superb shadow...
Inspector Maigret (French). Jean Gabin keeps on his toes as Georges Simenon's flawless flatfoot, and Director Jean Dellanoy's camera is a superb shadow...