Word: camera
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Dates: during 1950-1959
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...funny and overlong romp. It closed with admirably durable Rosalind Russell once again going through the invigorating setting-up exercises of Wonderful Town. CBS gave it two hours, and the TV version of the Broadway musical turned out to be just as whackily brilliant as the original. When the camera zoomed in on Roz and Sister Eileen (Jacquelyn McKeever), huddled in their virginal Manhattan bed and wailing Why Did I Ever Leave Ohio?, the old Town never seemed more wonderful...
...watched Quare Fellow's opening in the company of two playgoers from Scotland Yard, was a classic: "I've been under guard here. I need a drink badly. Please forgive me." Two years ago, invited to appear on a BBC-TV interview, he went on camera paralyzed to the point of petrification. When the BBC blamed the hot weather, Behan roared to questioning reporters: "I was drunk." Explained his wife of 3½ years, Painter Beatrice Salkeld: "They shut him up in a room before the broadcast, but were stupid enough to leave a bottle of whisky...
...eggbeater spiel. Following some 20 minutes of political chitchat, sultry Interviewer Lidia Matos casually stuck an appliance in Rocky's grip, asked the key question: What is it? An egg beater, answered Rockefeller, brightly but warily. "You're right," warbled Saleswoman Matos, beaming into the camera. "It's the lightest, most efficient egg beater made in Brazil...
...that has been seen on-screen since the high-explosive horrors of The Wages of Fear (TIME. Feb. 21, 1955). The executioners-friendly, ordinary, matter-of-fact men who look as though they had never dispatched anything more vital than a letter-proceed calmly with their preparations, and the camera dispassionately watches every lethal detail. Gravely they draw on their rubber gloves. Delicately they decant the sulfuric acid. Tidily they bundle the little white eggs of cyanide into a sack of gauze. Politely they unroll the carpet from the cell door to the gas chamber. And so it goes...
Less U, More H. Co-Author Frank's tear-shot camera eye pans in on Sheilah Graham when she was still Lily Sheil, a grimy Cockney moppet of six being carted away to the East London Home for Orphans. The eight orphanage years were Dickensian. Eventually Lily found a job as a skivy (housemaid) but soon chucked it. She had a chance to demonstrate a U-shaped toothbrush ("It fits the inside of your teeth") and her pearly performance caught the eye of U-born Major John Graham Gillam, D.S.O. It was a case of an 18-year...