Search Details

Word: camera (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Blanche later turned to suicide. But the play's bright scenes, brilliantly colored, were as bold and carefully constructed as the Gauguin masterpieces they were meant to match. Strickland in the South Seas was an eloquent portrait of the developing artist and the degenerating man. The combination of camera work, scene design, direction and acting was an example of television at its greatest...

Author: /time Magazine | Title: Show Business: Best Foot Forward | 11/9/1959 | See Source »

...through. The viewer receives the impression that he is watching a document, an amazing document to be sure, but not an entirely absorbing one--and thus his eyes keep drifting over to the blue rimmed clock at the side of the screen. One can see the beauty of the camera work, the delicacy of the composition, but one can stare in dull amaze for only so long...

Author: By Peter E. Quint, | Title: Pather Panchali | 11/2/1959 | See Source »

...never made much of a reputation. But his Moonlight Skating in Central Park is pure champagne: chill, sparkling, heady. And like the others in the exhibition, his picture helps fill in the panoramic sweep of history with specific detail, showing just how things were in a time before the camera became ubiquitous...

Author: /time Magazine | Title: Art: THE GOOD & BAD OLD DAYS | 11/2/1959 | See Source »

...Last Angry Man combines some of the finest motion picture effects with many of the worst. Scenes of sheer poetry are juxtaposed with others of outrageous banality; splendid camera work is sometimes ruined by the most needless background music; several beautifully delivered speeches are muted by close-ups on the wrong faces. Only Paul Muni's performance as Dr. Samuel Abelman--the title figure--is consistently good...

Author: By Paul S. Cowan, | Title: The Last Angry Man | 10/30/1959 | See Source »

...John O. Killens, but mostly to Actor Ryan, a menace who can look bullets and smile sulphuric acid. But the tension is released too soon-and much too trickily. The spectator is left with a feeling that is aptly expressed in the final frame of the film, when the camera focuses on a street sign that reads: STOP-DEAD...

Author: /time Magazine | Title: Cinema: The New Pictures, Oct. 26, 1959 | 10/26/1959 | See Source »

Previous | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | Next