Word: camera
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Dates: during 1950-1959
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...Dunkirk (Ealing; M-G-M). Blimey! 'Ow could 'e do it? 'Ere's this bloke, see, this Mike Balcon-'e ain't no bloody amateur when there's a camera abaht. 'E did aowl' Alec's Lavender Hill Mob, an' with not much 'elp neither, financially so to speak, and they're sayin' 'e's brilliant, 'e's got it made. A ruddy, stained-glass genius, that's what they called 'im. 'E's no genius...
...scrawny, seven-year-old frame, Actress Naaz somehow sums up the whole history of her sex, chattering happily as she works with her brother, huddling against him for warmth, patting his arm in a crisis and reassuring him, "I'll manage it somehow." Raj Kapoor trains his camera on them almost without a break, and they have rewarded him by endowing his film with the gentle luster of a miniature masterpiece...
...fancy prizes that looked so fine before the camera have too often grown tarnished between victory and delivery; e.g., the all-expenses-paid vacation in Europe provided no hotel room, only a flight to Paris and home the next day. There was evidence that contestants on certain shows had signed away their prizes before going on, undertaking to accept their TV winnings for far less cash than their real value. The best defense that network officials and their spring-legged pressagents could make in private was that the quiz shows were not really crooked but only hippodromed, like a wrestling...
Grand Prix. The efforts of the radio and camera men have encouraged other Japanese industries to follow suit. Says Koji Kato, director of Alps Shoji toy company: "Past experience shows that flimsy, cheap toys are the best way to lose a market. We are now working to make toys more durable, safer, and at the same time more advanced than foreign makes." U.S. Toymaker Louis Marx is giving the industry a hand, recently went to Japan with a plan to reorganize the entire Japanese toy industry by supplying U.S. technicians, leasing machines, supplying designs and working out a "division...
...return, he gets only scorn and a Greek chorus of old wives' tales-for example, if a pregnant woman crosses her legs, she will strangle her child with the umbilical cord. His one believer is an unwed pregnant farm girl, played (except at the birth, when the camera focuses on an anonymous mother) with translucent charm by Nicole Courcel, whose pain-free delivery provides the doctor with his triumph and the film with its spectacular ending. Thus it becomes a warm, witty, wise movie that is capable of making its point even to viewers who reject its message...