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Word: camera (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...Valentine, Irene Jacob is stunning. She transforms the screen as her huge poster transforms the streets of Geneva. It is a tribute to Kieslowski that this rather inexperienced actor is so at ease in front of the camera. Able to blend an innocent facade with an inner strength, Jacob is a pleasure to watch...

Author: By Jonathan Bonanno, | Title: LADY in Red | 12/15/1994 | See Source »

...other family gatherings. He has been married for 10 years to his college sweetheart, who waited for him while he served more than two years in a federal penitentiary on drug charges. And when he throws temper tantrums on the set of his TV show -- "My set! My camera! My props!", he's been heard to shout -- everybody knows it really is a joke. In contrast to stories about some other sitcom stars, like Roseanne and Grace Under Fire's Brett Butler, those about Tim Allen's rampaging ego are all but nonexistent. "He just never lost perspective," says Bruce...

Author: /time Magazine | Title: Tim At the Top | 12/12/1994 | See Source »

Recently, in an office building in California, a worker connected a camera to his computer and took pictures of the weather outside every 15 minutes. These images were then distributed over the World Wide...

Author: By Eugene Koh and Douglas M. Pravda, S | Title: Exploring the World Wide Web | 12/6/1994 | See Source »

Master Fisher wanted to spare these grade schoolers the sight of works like Wolf's "Untitled #7," a photograph of two nude men, one holding the other's not-quite-covered genitals. He thought "Untitled #4"--which depicts a naked woman arched backwards, her crotch thrust toward the camera lens--might no; be the most appropriate backdrop for Silly Sally the Clown. He had problems with Wolf's version of Michelangelo's "Pieta": two nude men aping the famous pose of the Virgin Mary holding the dead Jesus...

Author: By Stephen E. Frank, | Title: Dudley's NC-17 Art Show | 12/2/1994 | See Source »

Technically, the film is fine. It was Mamet's intention that the direction underscore the writing and acting. This is certainly not the film for grand camera moves or stylish lighting. Mamet and his director of photography, Andrzej Sekula, leave that up to Oliver Stone and Robert Richardson. John's hard-wood paneled office with its musty flavor and dark lighting is treated much like the stage of a play. The actors move and the camera follows. All would have been fine were it not for David Mamet's simplified version of sexual harassment...

Author: By Jonathan Bonanno, | Title: Sexual Perversity Meets University | 12/1/1994 | See Source »

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