Search Details

Word: camera (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
Sort By: most recent first (reverse)


Usage:

...refuse to deny the American dream. Doesn't everyone envision that moment of joy when you open up your front door to find a camera crew and Ed holding an over-sized photocopy of a check? To join Bob Castlebury and the circle of million-dollar winners--isn't that secretly what we are all waiting...

Author: By Beth L. Pinsker, | Title: I'm Going to Be a Millionaire | 3/30/1992 | See Source »

...clown shoes hopes the butcher's myopic daughter will see the goodness in his heart. Part circus, part zoo, the film's milieu is a nice metaphor for the rudderless morals of post-Everything Europe. Writer-directors Jean-Pierre Jeunet and Marc Caro go in your face with baroque camera angles a la Citizen Kane and zillions ) of rude sight gags; the movie could be called Welles-apoppin. When style runs riot, it can be lots of fun. But Delicatessen's style finally exhausts itself, and the viewer...

Author: /time Magazine | Title: Critics' Voices: Mar. 30, 1992 | 3/30/1992 | See Source »

...school just a month when Columbia Pictures made a bid to buy Boyz N the Hood. Instead of gratefully accepting the offer, Singleton insisted that he be allowed to direct the film. His entire directorial experience at that point consisted of a few homework assignments with an 8-mm camera. "So many bad films had been made about black people, and most of them had been done by people who weren't African American," he says. "I wasn't going to let some fool from Idaho or Encino direct a movie about living in my neighborhood. If they didn...

Author: /time Magazine | Title: Not Just One of The Boyz: JOHN SINGLETON | 3/23/1992 | See Source »

...homicidal maniac stalking the menacing night streets of a nameless, timeless city; a circus and a brothel populated by fringe figures who, naturally, are less hypocritical socially and sexually than the police, the church and the bourgeoisie; a score that features the music of Kurt Weill; lighting and a camera that pay homage to the whole Weimar school of cinematography...

Author: /time Magazine | Title: Return to Weimar | 3/23/1992 | See Source »

...from differences in length and thickness, all these scopes are fundamentally alike: slender fiber-optic tubes that can be inserted deep inside the body through minute (1-cm-long or less) incisions. With the addition of a tiny telescopic lens, a miniature light source and a palm-size video camera, these tubes are transformed into videoscopes that project images of the patient's internal organs and, even more important, of the snippers, staplers and graspers that the surgeons manipulate...

Author: /time Magazine | Title: The Kindest Cuts of All | 3/23/1992 | See Source »

Previous | 238 | 239 | 240 | 241 | 242 | 243 | 244 | 245 | 246 | 247 | 248 | 249 | 250 | 251 | 252 | 253 | 254 | 255 | 256 | 257 | 258 | Next