Word: camera
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Dates: during 1990-1999
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...boasted heads of John the Baptist), and as the centuries rolled on, bits of the True Cross or Our Lady's shoe faded from prominence within their gilded reliquaries. What catapulted the shroud into its role as a modern touchstone was the testimony of a thoroughly modern invention: the camera. On May 28, 1898, a city councillor named Secondo Pia took the first photographs of the relic. One scholar recounts that as the negative image began to appear in his darkroom, Pia "nearly dropped the plate." Markings that had been faint on the cloth suddenly jumped out with such extraordinary...
...April 21, 1988, under the gaze of Anastasio Cardinal Ballestrero of Turin and a video camera, Italian microanalyst Giovanni Riggi cut a 1/2-in. by 3-in. strip of linen from the shroud, well away from its central image and any charred or patched areas. He divided the strip into three postage stamp-size samples and distributed them to representatives of laboratories in Zurich, Oxford and the University of Arizona in Tucson. Each then performed at least three radiocarbon measurements on its sample...
...same thing, "Oh my God, what am I doing in this?" The very first day, I had a scene with Alan Alda. It was my first day of shooting and I had been doing the play for six months, I hadn't worked in front of a camera for over a year, and I just felt that if I lifted up my shirt it was going to say "Made in Taiwan" across my stomach. I felt completely over-whelmed...
...floor sample of what we all could be," notes a Random House press official in Michael Moore's new documentary film, The Big One. Well, luckily, it's only a floor sample. A far cry from Moore's well-crafted, pro-labor bullseye, Roger & Me, The Big One's camera seems to be more interested in Michael than in socio-economic reportage (and is unfortunately almost as annoying as those Clinique salespeople at Saks). Of course, The Big One is not a commercial, it's a sermon, and it might be quite effective for some people, but probably...
Upon reaching Portland, Ore., Moore is at his best as he interviews Nike CEO Phil Knight, the only CEO who agreed to talk with Moore on camera. Moore asks Knight why Nike refuses to let Americans manufacture Nike shoes. (At the IOP, Moore claimed Nike tried to pressure him into editing out much of this interview.) Nike, like the other companies Moore features reaped substantial profits during the documentary's filming...