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Shell says you will never find Obama posing for the camera. "He doesn't care what his hair looks like," she says. "He doesn't care that he has big ears." For the record, so does she--a topic they like to kid each other about. Amid the hurly-burly of the campaign, Callie's images manage to find those rare moments of stillness...

Author: /time Magazine | Title: Behind the Scenes | 2/7/2008 | See Source »

...During the TV timeout, the camera jumped between throngs of Northeastern fans in the balcony and these two boys...

Author: By Robert T. Hamlin, CRIMSON STAFF WRITER | Title: HAMMING IT UP: Beanpot Hockey Fans Dwindle | 2/7/2008 | See Source »

...first live-television presidential debates with Richard M. Nixon was to “use close-ups.” Despite the technical advances that have pushed the art of film forward, Penn emphasized the fundamental importance of understanding actors and their role in front of the camera. “Only people on that side of the lens are actors,” he said. “And they better feel that you know what they’re doing and how they got there...how they can be emotionally vulnerable in front of that damn lens...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: Director Penn Screens Films at HFA | 2/7/2008 | See Source »

...less innovative, with a simple white background setting off most of the first half and a glorified Sean Paul style in the second half. In fact, Elliott’s past videos—with the extending necks of “Get Ur Freak On” and camera curvature of “The Rain (Supa Dupa Fly)”—were better attempts at 3-D than the lackluster gestures rampant throughout. The video’s true success is not the added dimension but the choreography. Borrowing from Bollywood and American dance styles...

Author: By Jessica O. Matthews, CONTRIBUTING WRITER | Title: POPSCREEN: Missy Elliott | 2/7/2008 | See Source »

...That story is tautly, bravely acted, especially by Marinca, an ordinary-looking woman who rivets the camera's attention, and Ivanov, whose bulky poise makes him a figure to fear. More important, the tale is so compelling that it seduces viewers as a fairy tale does a child. They simply must know, as the plot knot coils tighter around the characters, What Happens Next. It's not spoiling anything to say that the resolution is right and realistic - and far from the ending Hollywood would devise, if it ever dared to make a movie like 4 Months...

Author: /time Magazine | Title: How Not to Have an Abortion | 2/1/2008 | See Source »

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