Word: camera
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...chronicler in black and white of the sooty streets and ordinary people at his city's heart. But in his consummate sensitivity to the decisive moment, Yau was sometimes reminiscent of the great Henri Cartier-Bresson, and, like the French master, carried wherever he went a 35-mm camera - in Yau's case a Voigtlander Prominent - allowing him to move and shoot unobtrusively amid the throng...
...much. But Walker, a veteran community organizer and activist, is determined to spread the word. She has forged links with Ithaca College and the surrounding area, turning EVI into a living laboratory. At nearby Cornell University, EVI residents teach courses on environmental collectives, and villagers have become accustomed to camera-toting visitors peeking through unlocked front doors...
...longer than they are. For them to work, they need an interior spring with more thrust than Darjeeling's attempt at reconstituted brotherhood. The problem is in Anderson's approach, which is so supercool, it's chilly. In his elaborate visual construct, virtually every shot is followed by the camera's point of view shifting 90º or 180º--geometrically groovy but quickly predictable. Same goes for his stories, which rely on gifted people behaving goofily. Anderson has the attitude for comedy but not the aptitude. His films are airless. Humor under glass...
There's one tiny bit in Darjeeling that shows what Anderson can do. The camera tracks along a corridor of train compartments. In each is a different character, glimpsed for just a few seconds: the Sikh trainman, the hostess, Peter's wife ... and Bill Murray as a businessman also seen briefly at the film's opening. It's a graceful series of snapshots into the lives of Darjeeling's subsidiary characters. Maybe Anderson could make a film about each of them. And perhaps collaborate on the screenplays with Owen Wilson. It could be therapeutic...
...doctor comedy daringly combined zany humor--equal parts Marx Brothers slapstick and high-class wordplay--with dark drama, as when the war claimed the life of the base's first chief, Lieut. Colonel Henry Blake. (The show banned canned laughter in its operating-room scenes, presaging today's single-camera, laugh-track-free comedies.) Like many great shows, M*A*S*H stayed on the air a few years too long. But it proved that comedy could be serious, drama could be funny and both could cut like a scalpel...