Word: camera
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...both studies, participants wore goggles hooked up to cameras planted behind them, so that participants had a view of their own backs. Then they were physically stimulated in ways that would enhance or reduce the feeling that their selves were located outside their bodies. For his paper, Ehrsson used a stick to poke the chest of each participant (out of view of the person being poked) while also poking the area below the camera where a chest would have been (which the person could see through the goggles). Sure enough, the participants reported that it felt like their vantage point...
...suggest a startling portrait in self-contradiction - that one of the great human icons of the past 100 years, whose remarkable deeds seemed inextricably connected to her closeness to God and who was routinely observed in silent and seemingly peaceful prayer by her associates as well as the television camera, was living out a very different spiritual reality privately, an arid landscape from which the deity had disappeared...
...little-known stage ingenue, as a voice double for another actress in the 1957 Il Grido. "We became friends," Antonioni later said. "Then things evolved. A relationship was born and a series of films." With a husky voice, a mop of blond hair and strong features that caught the camera's eye even when she wasn't center-screen, Vitti starred in five Antonioni pictures, instantly becoming their anguished or volatile face, their always human soul. She was so acute a revealer of depression, disappointment, despair, that it was a shock to see her in other Italian films...
...like a fifth Beatle, he's got a casual swagger that says, This is my town. So does his brutal way with the anorexic goddesses who pose for him. In a shoot with the model Verushka, he shouts insults, whispers endearments, straddles her like a rough lover with his camera clicking away at her simulated passion, then immediately stops and walks away when he has the shots he needs...
...reunited with Vitti for The Mystery of Oberwald (1981), which used the new video technology to repaint forests, walls, gowns in an expert riot of surreal colors. He continued even after a 1985 stroke robbed him of speech. His four short segments in Beyond the Clouds had the old camera suavity and started to make explicit the erotic yearnings of his '60s films. He could not have made this film, and his 2003 contribution to the omnibus project Eros, without his wife Enrica, through whom he communicated with his casts and crews...