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...thing that never changes is Jeunet’s rigorous work ethic. Before actually filming each scene, Jeunet details extensive storyboards and would use a handheld camera to create a working guideline to follow during shooting...

Author: By Emily G.W. Chau, CONTRIBUTING WRITER | Title: Amelie Director Reengages Fans | 12/17/2004 | See Source »

...second semester of my freshman year, I enrolled in Alfred Guzzetti’s Visual & Environmental Studies documentary video class “Life Stories.” Within our first several sessions, we were given a camera, a list of a few essential videos to watch, and a simple assignment: to narrate the story of someone unaffiliated with Harvard in a five-minute video clip. In other words, within two weeks of beginning my first art class at Harvard, I had already been granted an exhilarating freedom—I found myself turned out into the world to make...

Author: By Amar C. Bakshi, CONTRIBUTING WRITER | Title: Blueprint of an Arts Education | 12/17/2004 | See Source »

...which he speaks of as one of the most stressful, but rewarding, experiences of his life. Although he believes working on “All That” made it easier to understand the technical aspects of the show, such as camera angles, Thompson now has the added stress of writing skits and pitching ideas. However, the mystique surrounding “SNL” and the subsequent career opportunities it brings seem well-worth the sleep lost to late nights writing material...

Author: By Emily G.W. Chau, CONTRIBUTING WRITER | Title: Kenan Chews the 'Fat' | 12/17/2004 | See Source »

...classic film noir. One of the characters says, “I feel like we were watching ourselves.” Considering that the two men were hiding out at the theatre after performing a grisly murder, the comment becomes an obviously self-referential wink. Almodovar’s camera lingers on the vampy posters as they leave the theatre, putting the stylistic cap on yet another strange piece of meta-cinema that looks back more to the director’s own earlier work than his recent melodramas Talk to Her and All About My Mother...

Author: By Clint J. Froehlich, CRIMSON STAFF WRITER | Title: Movie Review - Bad Education | 12/17/2004 | See Source »

Amenabar, only thirty-two, exhibits great directorial instincts. His constantly moving camera navigates the film’s space capturing shot after shot with finely-crafted composition. He takes risks in terms of narrative forms, mingling elements of magical realism and surrealism, previously explored to different ends in his last film The Others...

Author: By Tony A. Onah, CRIMSON STAFF WRITER | Title: Movie Review - The Sea Inside | 12/17/2004 | See Source »

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