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...Vietnam, the land where he fought in the infantry and the subject of so many of his films. In the battle scenes in India, trained elephants materialize as if in a Nam soldier's dope dream, and the screen goes red. At this moment of hallucinogenic hyperdrama, the camera almost literally has blood...

Author: /time Magazine | Title: Movies: It's His Same Old Story | 11/29/2004 | See Source »

...Luke R. Long ’03, who produced a similar video for their graduating class and decided to continue with the tradition. It was harder for them to coordinate the 2004 project, Harrington said, because the three are working in different locations. An on-campus camera crew filmed last spring, and shipped the tape to the three producers, who took turns editing...

Author: By Allison A. Frost and Lulu Zhou, CRIMSON STAFF WRITERSS | Title: 2004 Harvard Grads Still Await Class DVD | 11/22/2004 | See Source »

CAMERON DIAZ lost a shoe and some dignity when tussling with photographers who, she says, ambushed her and beau Justin Timberlake. The paparazzi told Us that Diaz, who walked off with a camera, started it, and they have sued the star couple. Yes, it was quite a week of celebrity He Says, She Says...

Author: /time Magazine | Title: When Stars Allegedly Attack | 11/22/2004 | See Source »

...Butler, despite a silky falsetto, hasn't got the range or kick for the big sing. There's a climactic moment on the opera house's snowy roof after the Phantom has eavesdropped on Christine and Raoul. He rages, the orchestra whips up a storm, and Schumacher's camera seems to leap off the roof, plunging headlong toward the street below. But there's no bungee jump in Butler's singing - as the camera dives, his voice musters nothing more than a gentle swoop. Despite Butler's muted performance, Schumacher's kinetic camera work and some fine supporting turns could...

Author: /time Magazine | Title: How To Film A Phantom | 11/21/2004 | See Source »

...camera stumbles upon a door, it bursts open, the hand of the dying woman drops, a guttural boom blasts from the sub, and that four-dollar bucket of flat Diet Coke resting patiently at your side becomes fizzy and fresh on your lap as you jump—hard. It’s these moments—when some random horrific element comes from nowhere—that make the first act of The Grudge, Hollywood’s latest attempt at remaking a foreign blockbuster, extremely enjoyable. Yet tension gives way to torpor as the first act crawls...

Author: NO WRITER ATTRIBUTED | Title: Happening | 11/19/2004 | See Source »

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