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...particularly amateurish scene, Carruth leaves a steady camera on a panorama of the garage, all four scientists toiling away within. As the garage door closes, it seems as if the scene is going to black out, but the audience is instead treated to a moment of over-indulgent symbolism as the camera zooms in to the garage door to show each scientist boxed into his own window. It seems is if the director wants to tell us that the happy band of science geeks are doomed from the start, but, one hopes, his terrible process of doing so will doom...

Author: By Kristina M. Moore, CRIMSON STAFF WRITER | Title: Film Review | 10/15/2004 | See Source »

...merely a stimulator, of heated national debate. The occupant of arguably the country’s most powerful appointed position—that being Andrew Card—is comparatively anonymous. For the first time in American history, the views of the men and women behind the camera, more than the actions of the men and occasional woman in front, have seized the public’s political consciousness...

Author: NO WRITER ATTRIBUTED | Title: Reel Politik | 10/15/2004 | See Source »

Drew, a reporter for Life Magazine, theorized—while a Nieman Fellow at Harvard in 1955—about filmmaking that used candid footage to present news. Using the shoulder-held, synchronized-sound camera newly invented by his associates Richard Leacock and D.A. Pennebaker, he turned theoretical writing into 16mm film. Condensed to 26 minutes and relegated to local stations owned by the Time-Life corporation, Primary was a commercial flop, but its frank and intimate portrayal of political maneuvering and its use of new technology made cinematic history...

Author: NO WRITER ATTRIBUTED | Title: Reel Politik | 10/15/2004 | See Source »

...future president joking about margarita-loving reporters into a handheld digital camera is the essence of cinéma vérité, Michael Moore’s decision to hire an ice cream truck to drive in circles while he broadcasts the Patriot Act would seem to be a gaudy emblem of cinéma faux...

Author: NO WRITER ATTRIBUTED | Title: Reel Politik | 10/15/2004 | See Source »

...become gods to men. Belief in tawhid negates the legitimacy of these false gods. And a true believer in tawhid is liberated from slavery to his passions. The act of slicing off a man’s head and then holding it up in front of a video camera, as Bigley’s killers did, requires a great amount of anger, hatred, perhaps pride and most likely a great deal of other emotions. In succumbing to their passions, Bigley’s killers made themselves slaves of these illegitimate gods and therefore violated the principle of tawhid...

Author: By Nura A. Hossainzadeh, | Title: Tawhid and Jihad | 10/15/2004 | See Source »

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