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...become an established New Yorker commodity, and increasingly self-indulgent: her responses to films are at times based solely on their generalized erotic content. She has made claims that "male actors need a little bit of fascism to make them attractive." She has been seduced by the camera wizardry of Bob Fosse and Bertolucci, and turned off by the supposed machismo of Straw Dogs. She has also gone bananas over movies just because they have been vehicles for Streisand...

Author: By Michael Sragow, | Title: Deeper Into Kael | 4/22/2004 | See Source »

...your e-mail. Just two catches: it won't be widely available for up to six months (test accounts are being offered only to employees' friends and families right now). Also, every message is sponsored, often based on your text. If the e-mail server spots, say, the word camera in your message, it will append tiny text ads for electronics stores. Google promises that doesn't mean anyone human will be reading your e-mail, but privacy hawks may wish the whole thing had been a joke after...

Author: /time Magazine | Title: Tech Watch | 4/19/2004 | See Source »

Boston-based music-video producer Steve Garfield, 46, is no ordinary blogger. Instead of simply posting his thoughts online in a chatty weblog like millions of others around the world, he links a Canon GL2 digital video camera to his laptop and uploads short clips of protest rallies, traffic short-cuts and even news events onto his personal Internet site...

Author: /time Magazine | Title: Tech: See Me, Blog Me | 4/19/2004 | See Source »

Video blogs don't require sophisticated equipment, just a PC or a Mac, a high-speed connection and a digital video camera as well as a hosted weblogging service like TypePad and, if you want, editing software such as Final Cut Pro or iMovie (the latter is free with most Apple computers). For really spiffy professional results, it makes sense to invest in tools like Serious Magic's Visual Communicator, a TelePrompTer-graphics-backdrop package that provides network-news--style production values...

Author: /time Magazine | Title: Tech: See Me, Blog Me | 4/19/2004 | See Source »

...Gondry had a peculiar story to tell, but "wanted people to get it," so he injected this sci-fi fantasy with flashes of reality - the occasional shakiness of a handheld camera and a palette that, except for Clementine's orange or blue hair, is muted, melancholy and truer to life than Hollywood's Technicolor hues. But the denouement almost veered into classic Hollywood schmaltz. As he prepared to shoot the ending, Gondry was still debating with Kaufman about whether to add a twist in which Joel would wake up as if it had all been a dream...

Author: /time Magazine | Title: Here Comes The Sun | 4/18/2004 | See Source »

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