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...Manny's art-view was clear enough. "To put Hitchcock up or down isn't the point," he wrote in the essay "Clutter" in the late '60s; "the point is sticking to the material as it is, rather than drooling over behind-the-camera feats of engineering." Anyway, it was impossible to mistake his authorial personality - or, rather, his restless mind and outsize intelligence. When I knew Manny, his receding hairline gave him a forehead as high as Jeff Morrow the Metalunan's in This Island Earth, and inside this gigantic braincase all manner of creatures crawled, gnawed and sang...

Author: /time Magazine | Title: Manny Farber: Termite of Genius | 8/26/2008 | See Source »

...technique and technology of pure moviemaking, of getting the viewer's blood racing by blowing stuff up. Handmade art is on the wane; machine art is here to stay. The gentle crafts of acting, of sculpting witty dialogue, of a director's subtle sense of where to lead the camera and the audience may be in decline, but the second-unit guys and stuntmen and CGI wizards are at the top of their game. It's not the highest form of the seventh art, but it is one of the original definitions of the medium to make cinema kinetic...

Author: /time Magazine | Title: Death Race: Worth a Test Drive | 8/24/2008 | See Source »

...camera pans the streets of the Ninth Ward on the eve of Katrina, a reporter describes the scene, explains that some people didn't leave because they had no transportation and wonders if the storm is God's wrath raining down on New Orleans. Her sign-off: "This is me, reporting live, Kold Madina. We'll be bringin' y'all more footage very shortly...

Author: /time Magazine | Title: Soul Survivors | 8/21/2008 | See Source »

...correspondent is Kimberly Rivers Roberts, and she is not a journalist but an aspiring rapper who calls herself Black Kold Madina. Just before Katrina hit New Orleans, Kim bought a video camera; she then used it to capture the damage and drama of the hurricane with a wit and painful insight beyond the gifts of Anderson Cooper. A week later she and her husband Scott Roberts were discovered by Tia Lessin and Carl Deal, documentarians who had worked for Michael Moore. The resulting movie, Trouble the Water, is an endlessly moving, artlessly magnificent tribute to people the government didn...

Author: /time Magazine | Title: Soul Survivors | 8/21/2008 | See Source »

...Some runners are not as smitten as the spectators. "I guess there's mixed feelings among athletes," says Crawford. "Because I've walked by, and I've heard guys who are a little disappointed in the way he acts in front of the camera." The American is not one of them. "This guy has worked his tail off, everyday, on his knees, throwing up in practice," says Crawford. "He deserves to dance . . . If you think it's disrespectful, work harder, so you can be the one dancing...

Author: /time Magazine | Title: Bolt Keeps Electrifying Track | 8/20/2008 | See Source »

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