Word: cameraful
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While Marshall was shooting the third Bourne film, Kennedy was putting together Diving Bell, directed by the artist Julian Schnabel and adapted from a memoir by French journalist Jean-Dominique Bauby, who was almost completely paralyzed. Casting the behind-the-camera personalities on the film took some craftsmanship. Kennedy recruited Spielberg's director of photography to help Schnabel deliver a bold visual style, shooting as if the viewer were inside the paralyzed man's body. When the film's French production company balked at the price of an A-list cinematographer, Kennedy persuaded them to find the money elsewhere...
...several supporting meerkats, Flower--the show's matriarch and protagonist, a furry female Tony Soprano--died of a snakebite defending her pups. A few weeks later, Flower's long-suffering daughter Mozart--a fan favorite who was abandoned by her mother and lost several pups--was killed off camera by an unknown predator. Grief-stricken fans held online vigils, created Diana-style tributes, even suggested the deaths were faked. (Denial, anger, bargaining, depression, acceptance--they hit every stage.) Manor is a study of animals, but it's become a study of humans. How much reality do we want from reality...
...need sentiment too. TV critics may bemoan the "fakeness" of some reality or nature shows. But as viewers, we depend on that manipulation to provide the order, sense and purpose that the universe fails to. "Behind the desert's great beauty," as narrator Sean Astin says just before the camera pans to Mozart's body, "lies a frightening indifference for life...
...here since young people revere their stars and don't really want to look behind their curtains. But the producers green-lighted local versions of the extreme-sports and street-skills show Barrio 19--one early episode features "dune-bashing," driving ATVs fast through the desert--and the Candid Camera-style Boiling Points...
...words “film production” primarily bring to mind three things: lights, camera, and action. But as Robert M. Kraft ’76 pointed out at Harvard last weekend, movies would be sorely lacking without a fourth addition to the list: Music. Kraft, the current president of Fox Music, provided glimpses into his unique career as a film composer at a film music lecture and a workshop for composers. Because music scoring is the last production process, it presents particular challenges, he explained at Saturday’s lecture. “Great [composers] are utterly...