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...Attorneys have pried mountains of discovery from the Administration about the dismissals, but Comey's recounting of that night offered a glimpse into the drama of dissent that took place long before Gonzales met his current troubles. It's tempting to find comfort in the fact that off-camera, at least, these powerful men had been so passionately divided over issues of law and liberty. And Bush did ultimately yield to Ashcroft, Comey and Mueller. But just eight months later, the President chose Gonzales to be Ashcroft's successor. The lessons of that night--namely, that political fealty could...

Author: /time Magazine | Title: Oath of Loyalty | 5/17/2007 | See Source »

...actually fenced because I thought it was AWESOME! Something you’ve always wanted to tell someone: At the end of bar mitzvah season, I won the award for grind-master dance king. Favorite childhood activity: Age 10, walking up to couples at family parties with a camera and asking them to show that they love each other. Sexiest physical trait: My pectoral muscles. I get compliments on them all the time. Best part about Harvard: Cambridge locals who think their political views are mainstream. Worst part about Harvard: My freshman stupidity in thinking 9 a.m. classes were totally...

Author: By FM Staff, CRIMSON STAFF WRITER | Title: Scoped! | 5/17/2007 | See Source »

From the untidy, artist-infested neighborhood of Montparnasse stepped an unlikely savior: Eugène Atget. A failed actor and painter then pushing 40, he had picked up a camera a few years earlier and started a meager trade providing stock photographs to artists. Over the next 30 years, Atget systematically captured what he called "the old Paris" in some 10,000 photos of remarkable intelligence and poignancy. In the process, he helped transform photography into a serious art form, becoming one of its founding giants...

Author: /time Magazine | Title: Rue Awakening | 5/10/2007 | See Source »

Atget arrived on the scene at a crucial moment not just for Paris, but also for photography. Cameras were becoming less cumbersome, glass plates were giving way to film, and new chemicals and techniques were broadening the photographer's palette. Atget mostly shunned these advances, using a bulky, large-format view camera on a tripod - and never any artificial light, even for interiors. He figured exposure times in his head - a relatively glacial 1/11th of a second was typical - and learned how to narrow the aperture to ensure that both background and foreground remained in focus. His genius...

Author: /time Magazine | Title: Rue Awakening | 5/10/2007 | See Source »

...stepped behind the camera: "I love film sets, but I don't necessarily love being the center of attention," says Masterson. "As a director, I get to have a much broader creative expression than as an actress. I'm not just blond...

Author: /time Magazine | Title: Downtime: Downtime: May 14, 2007 | 5/9/2007 | See Source »

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