Word: cameraful
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...Writing, let’s see...I learned how to say “no,” how to say “yes.” I learned a little bit about performing. I learned a lot about sex. I learned how to have safe sex on camera. Self-promotion. Make-up tips, hair tips. I mean...intimacy, well, intimacy? I don’t know about that. Well, yeah, in prostitution I learned about sexual healing. I think I learned a lot about love. About love and generosity of spirit. It goes...
...uncomfortable in its emotional, if not spatial, proximity—its intensity dull and ever-present, though not entirely unbearable. “We need to feel what we’re seeing is real,” shouts a male character in scene five (“The Camera Loves You”) at a different but similarly exposed incarnation of this original female character. “It isn’t just acting, it’s far more exacting than acting... We’re talking reality...
...seemingly sweet but aggressively homophobic, racist young mother in scene 10 (“Kinda Funny”). Rebecca Feinberg ’13 elicits sympathy as Anne, the lonely cigarette stealer, while Margaret Kerr ’13 captures Anne in “The Camera Loves You” not in a dynamic display of violent agency, but in its complete absence...
...what makes “Red Cliff” truly a marvel is Woo’s meticulous and surprising cinematography. Though he depicts the brutal, primitive, and rough-seamed battles of blood and violence, Woo handles the entire movie with great care. Inventive camera angles—shot from a cavalry horse’s perspective or from the tail of a dove—meet well-timed slow motion sequences. The soldiers’ dull armor and the tan sands on which they travel create a stunning contrast with the bright, multi-colored banners they carry into combat...
...father followed her with a video camera, his feet just a few steps behind...