Word: cameraful
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...first few seconds of Nurse Jackie (Showtime, Mondays, 10:30 p.m. E.T.), you might believe you are staring into heaven. Everything is white - the glaring light, the ceiling, the walls. Then the camera pans down to a figure on the floor, dressed to match in blinding hospital whites. The only colors in the scene are a pink blotch of gum on the worn sole of her shoe and an amber prescription bottle - holding the Vicodin capsules that, we learn, she cracks open to snort the brilliant orange grains inside, medicating a bad back and her emotional state...
...channeling his strutting killer from Face/Off (an annoying switch from Shaw's steely British mercenary). Tony Scott, who did Top Gun and the earlier Washington movies Crimson Tide, Déjà Vu and Man on Fire, directs with his trademark gusto and a surfeit of many circling camera movements. A congestion of cars, arranged as carefully as clusters of Rockettes, isn't traffic; it's just the backdrop for a spectacular crash...
...India, nothing is misspelled. And have you noticed that none of these seemingly genius kids go on to do anything? When will parents figure out that turning your kid into a Microsoft Word function is not great training for the modern world? Learning to scream and cry into a camera is the ticket...
...other ethnicities, I figured, Beck would bomb worse than an Arab in a crowded marketplace. To make sure, I went to one of the 440 movie theaters charging $20 to see a simulcast of Beck's sold-out show from Kansas City, Mo. He opened by looking at the camera and saying, "I particularly want to say hi to the guy from TIME magazine in Burbank, likely all by himself." Which I was. In that there were only 45 people in the audience, and according to actuarial tables, I was likely to be the only one breathing...
...Granted that, the film, which uses the same team Coppola found for the much more daring and romantic Youth Without Youth, looks great. After hundreds of movies and TV shows shot in the shaky-cam style, it's a blessing to find one in which the camera is on a tripod - and almost never moves. That gives Tetro the stateliness of silent films, just as the use of glistening or sepulchral black-and-white brings some of the glamour of classic Hollywood. But Coppola fans want him to recapture the dramatic coherence and operatic grandeur of his most productive decade...