Word: cameraful
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...sense they’re almost pre-professional,” says Brian T. Fithian ’10, a former On Harvard Time writer. “What they’re doing is a full-scale production; they’ve got people doing high-level camera work and high-level editing.” Although Fithian, who is now “Czar” of the improv comedy troupe Instant Gratification Players, says that On Harvard Time could improve in terms ofterms of consistently high comedic caliber, he adds, “I think if they...
...their house. And you paint a picture of what their life is like one year from now. You describe a kid who can't go to college, the house that can't be sold, the inability of anyone to use a credit card. They need to get a camera crew and go to Omaha and find a family...
...there ever any performative aspect to anything you did? I'm sure you imagined you'd go into animation, but you've taken a real front-of-the-camera role. I did a lot of theater when I was in high school and college. I also did stand-up in college, so it was always part of what I did. With the Family Guy pilot, part of me doing the voices was that there wasn't any money to hire actors. But there was also a very specific vocal and delivery style that I was after. It was just easier...
...final piece of advice, valuable to both Obama and McCain: Never forget you're on camera. McMahon says he used to tell Dean to prepare for new debates by watching tapes of old ones with the sound off, because viewers judge performance as much by visual cues as by verbal ones. "You have to remember that how you look and how commanding you appear is often more important than what you say," says McMahon. "And don't forget the cutaways. When your opponent is answering, you tend to think you're off camera. But you're not. If you scowl...
...films. He used vivid biographical details and historical connections to help the audience better understand the world of experimental film. One film in particular featured an overhead view of a street with three dashed white lines filling the screen. When a car drives onscreen, it becomes clear that the camera has been filming upside down. Entitled “Shift,” the nine-minute film by Ernie Gehr switches between an upright and inverted point-of-view. The film continues on in this way with bicycles, garbage trucks, and, at one point, a van of piano movers...