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Word: cameraman (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Eric (Harvard '66) is married and has a three-month old child. He knew Tim as an undergraduate, and since that time has worked for WGBH as a cameraman-soundman. They first worked together on 3 sisters, and Tim had insisted to the station management that Eric do sound and lighting on the new film...

Author: By Frank Rich, | Title: The Ghosts of New Hampshire | 4/10/1969 | See Source »

...mobsters, the convicts, the politician, the warden, the moll', LSD, the balloon and the gangster chief called "God"? Well, that's it. End of joke. It's called Skidoo, and the only conceivable reasons to see it are 1) to hear each and every credit, from cameraman to copyright date, sung on the sound track; 2) to see actors like Jackie Gleason, Carol Channing, Burgess Meredith, Peter Lawford and even Groucho Marx make fools of themselves; and 3) just to believe that it exists. Ostensibly a comedy, Skidoo was produced and directed by Otto Preminger...

Author: /time Magazine | Title: Cinema: Bad Trip | 3/21/1969 | See Source »

...from a police journal promoting riot control weaponry interspersed with still shots of the 1967 Newark revolt, was a warning that further explosions in the ghetto will be met with an escalation of brutal repression. Though effective in presenting its message, it could have been done by a white cameraman sensitive to the subject. The film's rhythm, its irregularity notwithstanding, was not the prototype of a new concept. Its impact upon the audience was electric; but the film hardly represented a new genre of cinematography...

Author: By Lee A. Daniels, | Title: Black Film | 3/10/1969 | See Source »

Again the rhythm differed from what is usually found in the 16 millimeter market. But that in itself does not mean that a white cameraman could not have filmed it (or that a white audience could not understand...

Author: By Lee A. Daniels, | Title: Black Film | 3/10/1969 | See Source »

...create the world of Polish Jewry just before the Nazi holocaust of 1939. To summon up the past, he meticulously compiles scene after scene of scholars poring over the Talmud, women dancing the hora, rabbis lecturing-and finally, Germans plundering. At almost every turn, Cohen, a television news cameraman, betrays his background. Amateur performances only serve as bridges between static reconstructions; when there is action, it is the characters who are moved, not the audience...

Author: /time Magazine | Title: Cinema: False Alarm | 2/14/1969 | See Source »

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