Word: cameraman
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Dates: during 1970-1979
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Typical of the soldiers of fortune who drifted to movie work was Phil Tannura, a Signal Corps cameraman whose journey to 1919 Russia recorded the maltreatment of Bolshevik captives. "We came to a prison in Omsk," he recalls. "They brought thirteen [prisoners] out and I noticed some soldiers on the side with guns. I asked what the soldiers were for. 'Well,' they said, 'you wanted to shoot them...
That's what almost happens the day a television news team-Reporter Jane Fonda, Cameraman Michael Douglas −takes a routine tour of a nuclear power plant. They're in the visitors' gallery, looking into the control room presided over by Veteran Engineer Jack Lemmon, when everyone down there starts falling madly about. Some sort of crisis is obviously at hand. Ordered not to shoot...
IMAGINE, if you can, a film like All the President's Men. Woodward and Bernstein, however, have become a woman television reporter and cameraman, and instead of bringing down a president, they're hot on the trail of a near-disaster at a nuclear power plant that almost destroyed Southern California. They've even found a new "Deep Throat": a control-room supervisor at the plant who fears that the accident may happen again, and go out of control. The result is a race against the clock, against the utility company that runs the plant, and against the television station...
Wells takes free-lance cameraman Richard Adams (Michael Douglas) with her on the assignment. Adams is a stereotype of the bearded, aggressive, ex-radical for whom the sixties never ended, who cracks jokes about the nuclear shit hitting the fan and the plant exploding. While the plant's P.R. man (James Hampton, a veteran of T.V.'s "F-Troop" and "Rockford Files") proudly displays the space-age control room from the bird's eye perspective of the visitor's gallery, the shit indeed hits the fan. The building shakes, buzzers blast, and control panel lights flash like a Christmas tree...
...rest of the cast, including Douglas, have parts that offer little depth of characterization. Douglas breezes through his role as an angry Vietnam vet-turned-freelance cameraman. The utitility company executives are all shown as thoroughly evil, motivated only by greed, while Godell's fellow technicians at the plant simply take orders--until well after the critical moment...