Word: cameraman
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Dates: during 1970-1979
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...film stars Jane Fonda as a television news reporter for a Los Angeles station who wants desperately to break out of fluffy features and into hard news. Jack Lemmon plays the supervisor of a nuclear plant's control room and Michael Douglas plays the free-lance cameraman who secretly films Lemmon and his control panel during a near-disaster at the plant. Fonda and Lemmon are well-known supporters of liberal causes and are both outspoken opponents of nuclear power. Douglas, however, is not a political activist and as producer of the film, has a considerable financial stake...
Fonda, a "Happy news" reporter seeking a more substantial story, goes with cameraman Douglas to film a special at a nuclear power plant outside Los Angeles where Lemmon is the control-room supervisor. While getting the standard tour from the plant's public relations man, buzzers ring, bells clang, the control panel lights up like a Christmas tree gone berserk, and the building shakes. Clearly, something is wrong...
...years, British Cameraman Peter Scoones has had an unlikely dream. A dedicated scuba diver, he wanted to photograph a live coelacanth (pronounced seal-ah-kanlh), the ancient, almost legendary, stump-legged fish which once was believed to have died out soon after the dinosaurs. Now this paparazzo of the deep has nailed his prey. Last week Scoones released rare color photographs of one of these "living fossils," swimming contentedly for his camera in the Indian Ocean off the Comoro Islands near the Malagasy Republic...
Violent outbursts were a hallmark of his coaching career. "Woody's idea of sublimating," an acquaintance once said, "is to hit someone." In 1956, following an Ohio State loss to Iowa, Hayes manhandled a Cedar Rapids television cameraman. Three years later, after losing to Southern California, he took swipes at a Los Angeles sportswriter and a bystander. While Michigan was beating his boys in 1971, Hayes menaced an official, then broke a sideline marker over his knee. Before the 1973 Rose Bowl, he pushed a camera into the face of a newspaper photographer. "That'll take care...
...sorry, I don't believe a man can fly--at least not in the fractured, badly edited take-offs, where the colors stink of chemicals and you can tell that any life has been squeezed out in special effects laboratories. Director Richard Donner and the late cameraman Geoffrey Unswerth provide some striking compositions (although the camerawork is far too heavy on rising and dipping crane shots), but Donner puts them together ineptly--whole sequences seem chopped up and hurried, and the images don't flow into each other. Superman is 100% studio hype; is the public so gullible that...