Word: cameraman
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Dates: during 1970-1979
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...produce such pictures. Germano left a Wall St. career to work only on photographing his native Berkeley, finally inventing a camera to take the pictures he envisioned. The instrument's ability to capture incredibly fine detail and texture has made it a necessary tool of the avant-garde cameraman, and its mastery a challenge he must meet. (All the pictures in this exhibit, except Rubinfien's, were taken with it.) Leaving, as Lifson says, "no place to hide," the superclarity of the camera's vision lends these pictures an uncanny surrealism. The trees in Wing's pictures, or Germano...
Puppet Animation. A collection of hilarious, historic, satirical and sinister animated works, most of which are undiscovered masterpieces of the genre of pixillation, or single-framing. Beginning with pioneering ventures like Ladislas Starevitch's 1912 Revenge of the Kinemagraphic Cameraman (a silent starring two beetles, a dragonfly and a grasshopper) this fifth program in Center Screen's Animation Series covers chronologically such spoofs as Jiri Trnka's Song of the Prairie, 1949 (a spaghetti Western complete with an operatic cowboy) and concludes with the surrealistic Jabberwocky of Jan Svank-majer, a sinister turn of the screw on a Carrollian child...
Bergman had wanted to make his film in black and white. When the producers resisted, he and his habitual partner, Cameraman Sven Nykvist, found a compromise. Says Nykvist: "Ingmar and I agreed to shoot color in black and white." Although most of the film captures the dark, gray quality of drab Berlin, Bergman has punctuated the gloom with bright and often zany scenes. "After years of crying for him," says Liv Ullmann, who plays Manuela, the nightclub entertainer whom Carradine loves, "Ingmar has finally allowed me to sing and dance." Wearing the scantiest of costumes, Ullmann was ordered to perform...
...improvement on the original, serves as a good example of what a talented director can do with intractable material. Irvin Kershner, who is known for such pocket dramas as The Hoodlum Priest and Loving, is working for the first time on a large scale. With the excellent assistance of Cameraman Owen Roizman (The Exorcist), he brings off some fine set pieces: a buffalo hunt, the sacking of a fort. The movie is too glib about Indian spirituality to be good, too self-conscious about being on the Indians' side to be wholly convincing. The Return of a Man Called...
...after a long illness; in Hollywood. Born in China and named Wong Tung Jim, the diminutive (5 ft.) Howe was so harassed by his Pasco, Wash., schoolmates that he became a professional prizefighter. Seeing a Mack Sennett comedy being filmed in the streets, he asked for a job as cameraman but was rejected as too small for heavy equipment; he eventually caught on as assistant to Cecil B. De-Mille. Noted for his constant efforts to achieve realism, Howe once filmed John Garfield's boxing scenes in Body and Soul by donning roller skates and darting around the ring...