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Word: cameramen (lookup in dictionary) (lookup stats)
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...Aliens Commission, the sailors-John Barilla, age 20, Richard D. Bailey, 19, Craig W. Anderson, 20, and Michael A. Linder, 19-marked their farewell to arms by lifting champagne glasses in toasts to peace, expanding on their views before ever-present bands of Swedish and foreign reporters and cameramen and thoroughly enjoying the lionizing adulation of Stockholm's artistic establishment...

Author: /time Magazine | Title: Deserters: Aggressive Campaign | 1/19/1968 | See Source »

Later, the police let the crowd huddle in a stairwell near the courtroom door, where plainclothesmen snapped photos of everyone in sight. Police had replaced the hallways' dreary lights with new, high-powered bulbs to accommodate the cameramen. One of the main protesters was a balding but erect Soviet general in his 60s who circulated petitions among the assemblage, brandished his cane at a policeman who took his picture. "I'm not afraid of little boys!" shouted Major General Pyotr Grigorenko, who was fired by ex-Premier Khrushchev for protesting "lack of freedom" in the Soviet Union...

Author: /time Magazine | Title: Russia: Off with the Mask | 1/19/1968 | See Source »

...eight other steel-producing states to join him in negotiating an end to the walkout. And in Utah, where the economy is off by $30 million so far because of a twelve-week strike against the Kennecott Copper Co., Governor Calvin L. Rampton summoned labor, management and TV cameramen to the state capitol for a well-publicized effort to get negotiations moving again...

Author: /time Magazine | Title: Labor: The Worst Year | 10/13/1967 | See Source »

Then, catching sight of the television cameras, they flocked together and. . . nothing, just sporadic cheering and aimless waving. Violence became farce. The cameramen made empty signs of victory to incite "the surging crowd" to new heights of prime time enthusiasm, suitable for national consumption...

Author: By John D. Reed, | Title: The Agony and the Ecstasy of the Sox | 10/4/1967 | See Source »

Stronger on imagination than realization, Expo's films offer the viewer the exploratory delight of watching a new kind of cinema in the process of being born. Much like the Fauves and Cubists of painting. Expo's directors and cameramen at their best seem to have found a new way of interpreting and reproducing the imagery of life. Much of the expertise has been expended on trompe-l'oeil techniques that clearly have no place in the commercial film of today, or even tomorrow. Yet such visual delights as Labyrinth and Kane's three-screened children...

Author: /time Magazine | Title: Cinema: Magic in Montreal: The Films of Expo | 7/7/1967 | See Source »

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