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...meeting lasted 45 minutes, and the trouble began as it ended. To the surprise of Republican Burns, who had presumed that the session would be unpublicized, Johnson proposed that the press be briefed immediately. As if on signal, reporters and cameramen rushed in. Burns refused Heller's request to join him in the briefing, and Heller went on to say that the main note of the meeting had been "a general feeling of broad consensus." Since this seemed to imply a general consensus in support of the Administration's economic policies, Burns and Saulnier felt that they...

Author: /time Magazine | Title: Government: Trouble After the Party | 8/28/1964 | See Source »

...Grand Olympics is a blood-and-guts thriller of more heroic cast. Filmed by 22 Italian cameramen under the direction of Romolo Marcellini, this color documentary dazzlingly synthesizes the glory that was Rome's during the summer Olympiad of 1960. The film begins with a helicoptic view, swooping over the dome of St. Peter's, then briefly darts away to Greece to catch the sun's rays igniting the traditional torch through a burning glass at Olympia. Soon some 5,000 athletes from 85 nations parade through Rome to the vast Stadio Olimpico. The flame arrives...

Author: /time Magazine | Title: Cinema: Triumph at Rome | 5/15/1964 | See Source »

Such a "slice-of-life" film invites artificiality and self-conscious artiness. The Connection tries to avoid this problem by incorporating the film-making process into the film itself. The two cameramen join in the action and the talk. They are making an avant-garde documentary about drug addiction; they want to be "natural...

Author: By Hendrik Hertzberg, | Title: The Connection | 4/23/1964 | See Source »

...intermission, they mixed with the crowd in character, bumming cigarettes and money. During the play--which was largely improvised--they made remarks about members of the audience and roamed up and down the aisles. By the end of the second act, when the junkies entice one of the cameramen into taking a fix, the audience had been throughly involved; I, for one felt that I knew the misery and desperation of narcotics addiction...

Author: By Hendrik Hertzberg, | Title: The Connection | 4/23/1964 | See Source »

This kind of communication between the actors and the audience had been throughly involved; I, for one, version of The Connection inevitably lacks the incredible, searing emotional impact of the play. In the movie, the two cameramen play a central role. Everything is seen through their eyes and lenses and it is only through them that the junkies can speak to their anonymous audience. Middlemen sap the film's power...

Author: By Hendrik Hertzberg, | Title: The Connection | 4/23/1964 | See Source »

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